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The Scenario November 6 2009


Sydney's regular funk, hip hop and dance convention, held on the first Friday night of every month at Melt, 12 Kellet St Kings Cross

Showcasing the world's top party music and live performance from the best hip hop talent, DJs, dance crews, MCs and funk bands, The Scenario @ Melt Kings Cross is the place to go to shed your work skin and step into a world of funk and entertainment.


The party and the dancefloor are the core of The Scenario. Presented by hatonrack in partnership with D2MG hip hop academy and in collaboration with Dancekool and Xposure, hatonrack supports musicians and bboy, hip hop, popping and all other styles of dance through its flagship event.

Thinking of visiting The Scenario? Expect dance showcases and battles, live freestyle MCing and Australia's best DJs and producers on any given night.

Next event Friday 6th November

The Scenario is Sydney's number one party spot. Come and keep the Melt dancefloor hot with the world's best funk and hip hop and party hosts hatonrack, D2MG, Dancekool and:

* Headline Selector DJ Floskel (Germany) - one of Europe's top funk, hip hop, club and battle specialists
* Sydney selectors DJ Naiki, Dave Silva and JPlatnum
* Deja - Sydney hottest ladies of hip hop dance

* MCs Nick Knowledge and Adikkal

Melt, 12 Kellet St, Kings Cross, from 9pm - view google map
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Sydney Bachata Festival

April 16th 2009 06:49

Sydney Bachata Festival 2009

If you are a dancer of any kind and never experienced Bachata there is definitely a big gap in your curriculum. This dance is an expression of sensuality, a cry of love for lovers. The perfect event is coming up to supply plenty of bachata to all dance lovers.
It is the second International Sydney Bachata Festival from the 24th to 26th of April, next week. For more information their website is: bachatafestival.com.au
Its one of those hectic weekends of dancing non-stop from Friday to early Monday... performances and parties every night, all night and workshops all day.
The band 4Ever from Orlando, USA will be performing on Sunday.
Bachata is a couple latin dance originated at Dominican Republic and I can’t wait for the chance to dance it to my hearts content.
I’ll be performing with Tony Lara’s LDA BACHATA TEAM on Friday night.
No dancer can be immune to this, come and try!
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D2MG Christmas Party Sat 20th Dec 2008!

December 11th 2008 12:54
Celebrate the holiday season with us as we bring back the block party and the soul train! D2MG has invited a range of dance schools around Sydney to be a part of our event, including DarrioStreet, Dancekool, Dance Central and Caramell, with DJ Libre on the decks along with many other special guest DJ, MCs and beatboxers to make up one big jam session. Help keep us alive with a $5 donation or more, and feel free to BYO. See you there!

www.d2mg.com

D2MG Christmas Party 2008
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Movie Preview - CENTRE STAGE: TURN IT UP

Turn it up movie poster


Return to the Centre Stage phenomenon with new passions and partners as Sony Pictures Releasing brings the amped-up, high-energy Centre Stage: Turn It Up to cinemas on October 30!

All self-taught dancer Kate Parker has ever wanted to do was perform with the American Academy of Ballet. But when she doesn’t make it after auditioning, she learns that it takes more than precision and perfection to succeed in the dance world. With a turn in a cutting-edge hip-hop club and the help of a good-looking former hockey player, she may just find the passion she needs to make her dreams come true. Peter Gallagher (TV’s “The O.C.”) and a cast of hot up-and-coming stars including newcomers Rachele Smith and Kenny Wormald rock to a new beat in this unmissable sensation!

Starring Rachele Brooke Smith, Kenny Wormald, Peter Gallagher, Ethan Stiefel and directed by Australian filmmaker, Steven Jacobson

Only at the Movies! October 30 For more infomation, visit the official website.

Preview the trailer:

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Cibby threw up a nice post yesterday about a short video I sent him that my boyfriend made with 7 bboys, a bgirl and 2 trickers. I want to give this video as much exposure as I can because I really love it and not because i'm biased either - see for yourself. It sends chills down my spine each time I watch it, the music is fitting and adds to a "film noir"-type mood. It highlights the best that Sydney has to offer both in local artistic and physical talent; the classic backdrop is shown in a beautiful, different light to what you'd normally see during the busy city days and the slovenly nightlife.

sydney street stylin bboy breakdancers bgirl trickers flips corkscrew skb sydney australia


For a moment it doesn't feel like Sydney, but an older, distant place in Europe. Far from the usual picturesque postcards of Bondi Beach, koalas or the Sydney Opera House, the dim glow of the view from the street level is reminiscent of the lifestyles of the same street dancers and trickers in the video - our underground community. Some struggle for recognition and respect from the broader community, others becoming nonchalant after trying for so long.

Enjoy, and show some love

On another note, directly after the end scene in this video, a man was hit by a Lexus at the intersection before the traffic lights turned green. He flipped into the air and landed smack on the pavement, blood gushing out of his head. A rush of pedestrians who witnessed the accident ran to his assistance and to the car that hit him, carrying a bunch of guys wanting to show off after seeing all the filming going on. They were screaming at the people in the car, "DON'T MOVE!!! STAY THERE! WE'RE CALLING THE POLICE!!!" I think the guy who got hit survived, although we're not sure. I hope he is ok, and if he finds this post, please email or comment to let us know you're ok.

Sydney Street Stylin'
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platform 1 hip hop carriageworks sydney


This looks sooooooo dope.

PLATFORM 1 HIP HOP FESTIVAL, Sydney Australia
Friday 28th and Saturday 29th of March 2008


Platform 1 Hip Hop Festival is set to explode with two days of high-powered Hip Hop action, representing Breaking, Graffiti, Beatboxing, MCing and DJing. A fresh experience for the hip hop novice and old skooler alike, the festival includes a series of free events, workshops and two huge nights of entertainment.

Flexing skills: Platform 1 presents premium Hip Hop action when some of Australia's best B*Boys, B*Girls, DJ's, Vocalists and MC's unite on one stage and are judged by you!

Competing in four randomly composed crews, the night will be a mashup of raw skill and freestyle as the finest in the culture represent their element.

Accompanied by the Metabass Allstars. Hosted by Morganics. Make sure you arrive early for the performance of Stiltbreak at 7.30pm.

Freak the Technique: B*Boy | B*Girl battle, some of Australia's best breaking crews will battle it out for the Platform 1 title. Featuring Interstate Judges – Arch Rival, King Ippy and Versastyle. Popping and Locking, Krumping, DJ Mathmatics and live Hip Hop acts. Hosted by Nick Power.

Breaking Info:
Friday and Saturday night 7.30 – 8pm – StiltBreak a wicked fusion of Breaking, Stilt Acrobatics and Artistry. Feat: B Girl Flix, Mr Flip, Manifest and Rely. Stalker Theatre Company.

Friday night:
8 – 10pm Flexing skills – Live invitational Jam featuring some of Sydneys Dopest MC’s, DJ’s Vocalists and Breakers – Unique B Girl, Arch, Ippy and Versastyle. Tix $15/$12

Saturday:
4 on 4 Breaking Eliminations 3 – 5pm.
Top 8 to go through to Freak the Technique that night. Run in conjunction with Graff comp and Demo.

Freak the Technique B Boy/B Girl Battle 8 – 11pm.
Feat – Def Wish Cast, Foreign Heights, Morganics and Eminent Family.
Hosted by Rely. Interstate Judges: Arch Rival, Versastyle and Ippy. DJ Mathmatics.
1st prize - $1000. Tix $15/$12

Dance Workshops in Breaking, Popping, Locking and Street Funk.

FREE events include:

* Performances of Stiltbreak, a fusion of Stilt Acrobatics and Breaking by STALKER Performance Projects

* Photographic exhibition of Australian Graffiti by Guillaume Chesneau

* Can Control - graffiti demo and competition. Hosted by Mistery

* Chalk it Up - Create your own chalk graffiti artwork

platform 1 whats on schedule hip hop festival
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Bboy Unit Australia March 2008

March 26th 2008 05:19
Bboy Unit Australia 2008


This bboy comp is gonna be a big one. One of the biggest in a while, with flights to Korea to compete in the international finals for the winning crew put up as the prize. Come down and check it out, it'll be heated battles and a great atmosphere. I'm there for sure.

$5 ENTRY FOR ALL BBOYS/BGIRLS AND SPECTATORS

Bboy Unit Australia
Sunday, 30th March, 2008
2pm, Bankstown PCYC
Sydney, Australia

Judges:
Red (7$ - Sydney)
Arch Rival (Wicked Force - Melbourne)
Ty - (Blackout - NZ)

DJ:
DJ Mathmatics (Robotek - Newcastle)

Prize:
Flights, Transfers, Accommodation and Per Diem for a full crew (10 People) to compete at Bboy Unit in Korea in May 2008.

Entry Fee:
$5 each (All bboys and spectators)

CREWS:
FLESH MAZE (AUK, NZ)
FRESH SOX / PHAT KIDS (AU/ID/NZ/JP)
JUSE (SYD, AU)
PLANET FRESH (QLD, AU)
R.A.W. (AU/NZ)
SKB (SYD, AU)
SKILL @ WILL (QLD/VIC)
SOULPOWER WORLDWIDE (SYD, AU)
ZEALOUS (SYD, AU)
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buzz monkey national breakdance hip hop competition canberra
Click to enlarge


Saturday 24th November 2007 at 3:00pm - AIS Arena Canberra

The Buzz Monkey National Hip Hop and Breakdance Championships has been put together to celebrate the new urban dance culture hitting Australia by storm. Dance is one of the fastest growning sports with in Australia and the world.

Come and celebrate one of the biggest urban dance competitions on the Australian dance calender with some of the best hip hop and break dancers around Australia competing for the title of Australia's best and a total prize pool of $25,000!

Also guest DJ's appearances by DJ Samurai, DJ Mathmatics and DJ Rush.

With guest appearances and performances by Joel Turner and the Boyz and BStarz (A popular local ACT Hip Hop Group). Also America's top brekadancers Ronnie, Roland and Frankie Flave as international judges and local hip hop judges and many more celebrity appearances and performances through out the night along with the competition itself.

Ticket are avaliable at Ticketek as of Monday 3rd of September. Be in quick before you miss out

VENUE: AIS Arena Canberra, Leverrier Crescent, Bruce ACT
TIME: 3PM

HIP HOP JUDGES DARRIO - DARRIO STREET
FRANCIS - KULTURE BREAK ACT
TRINA - SHADY CREW | Hiphop.org.au | Dancing.net.au | D2MG Hip Hop Society - Chairperson.

BBOY JUDGES:
FRANKIE FLAVE - KILLAFORNIA - LA
ROLAND - KILLAFORNIA - VEGAS / LA
RONIE - FULL FORCE - VEGAS

FULL CREW COMPETITION.
10 VS 10
$6000 PRIZE MONEY

1 ON 1 HIP HOP AND BBOY COMPETITION
1ST $5000 PRIZE MONEY
2ND $2500 PRIZE MONEY
3RD $1000 PRIZE MONEY
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krump competition sydney
Foundation @ Danks Street KRUMP COMPETITION


We've been to Brisbane. We've been to Melbourne. Now it's time for the crews to come to Sydney!

Being held on Sunday the 21st October @ Waterloo Park Darrio Street, South Sydney Youth Service & Skate HQ are joing forces to bring together an open KRUMP comp for families everywhere.
Date: Sunday 21st October, 2007
Time: 1:30pm
Location: Waterloo Park, Cnr Elizabeth & Allen St's Waterloo
Entry Fee: $10/person
For info: contact Darrio on 0409 772 143 or inquiries@darriostreet.com

Cash prizes and giveaways will be up for grabs!!

Participants from Melbourne - Brisbane - Sydney already joined up, don't miss out on calling out...
SEE YOU THERE!!

***IF YOU KNOW SOMEONE WHO MAY BE INTERESTED IN JOINING US - PLEASE FORWARD THIS MESSAGE TO AS MANY PEOPLE AS POSSIBLE***
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swoop hip hop dance workshop


Richard "Swoop" Whitebear will be teaching 2 Masterclasses @ Caramell Dance Studio Camperdown (Sydney) on October 10th.

Swoop has choreographed music videos for the likes of Aaliyah (Try Again) Dr. Dre (Been There, Done That) Will Smith (Wild Wild West)?
and Backstreet?Boys (Larger Than Life). He received the Hip-Hop Choreographer of The Year (Male) at the Hip-Hop Awards (2000).

Other artists that Swoop has choreographed for include Ray J, Brandy, Whitney Houston, Sisqo, Limp Bizkit, Enrique Iglesias, Mary J. Blige,?
Jessica Simpson, Master P, Mario Winans, Boys II Men, Mya, P.Diddy, and Snoop Dogg, and more.

Swoop has contributed choreography for several Motion Pictures like?Save The Last Dance, Ali, and Marci X , and has appeared in?
13 Going on 30, Austin Powers: Gold Member ,You Got Served & Stomp The Yard. His Film credits also include national commercials?
for Pepsi, Visa, Adidas, and Burger King, and Nike.
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krs one marley marl hip hop lives review

If you haven't copped this album or heard the track "Hip Hop Lives (I Come Back)" from these two great Hip Hop philosophers, then check it.

"Hip means to know
It's a form of intelligence
To be hip is to be up-date and relevant
Hop is a form of movement
You can't just observe a hop
You got to hop up and do it
Hip and Hop is more than music
Hip is the knowledge
Hop is the movement
Hip and Hop is intelligent movement"



I thought I'd add in Cibby's review of the album:

Hip Hop Lives is the album that fans have been eagerly awaiting for 20 years now… it marks the end of one of the earliest hip hop beefs around, between KRS-One and Marley Marl. Critics were sniffing out the potential of this album back in the day, but, now, in 2007, Marl and The Teacha have finally let old habits die and collaborated.

It’s a response, apparently, to Nas’ album, Hip Hop is Dead, and several tracks on the album suggest that KRS-One wants to push it back to the good spot. The G-Thang Spot, if you will.

But I felt that this album is a more paternalistic record from these two… KRS-One lays it down in ‘I Was There’, essentially pointing out to all the young rappers out there, fronting and perpetrating, that him and Marley Marl were getting it all started, back in the day.

And on that note, it feels a little too preachy at times… KRS never fails to shine on mic, with that deep, monstrous voice, and rhymes that feel so established that it’s like they’ve been extracted from some ancient Nubian texts. While he may have the credentials to lecture us to death, is that what you really want to listen to?

Eh, I can forgive a little bit of angry-father from The Teacha to get a head full of those Marley beats… reminds me of that old Juice Crew stuff, with a darker, more ominous tone. It’s all good, though, and, thankfully, the skits are kept down to an absolute minimum, and are easily skipped on the CD.

It took a long time for the feud to be settled, but KRS and Marl have finally put out this album… years too late, several pounds too far, and at a time when them young kids in the club are going ‘KRS-Who?’… nonetheless, it’s an album that deserves praise for its sheer craftsmanship, like watching a old, gnarled carpenter making a beautiful chair out of maple.

Rating: 3.5 out of 5 stars
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Krump Kings Tour - Sydney

April 12th 2007 04:22

Hey Guys its Chux, Just gonna show you the review for the Krump Kings tour when it came down to Australia. I posted the same one on moob, but had to do some editing, so here's the raw, straight from my mind version.

Krump Kings was phenomenal. Can i say that before we start?
Not phenomenal as in aliens landing on earth and making contact.
More like phenomenal in say, those aliens knowing secrets of space travel and teaching us all some stuff that we just didn’t know before.
Change Aliens to Tight Eyez and space travel to Krump Dancing and you’ve got it right there.

A few performances preceded Krump Kings, Psalms came out to do a showcase, as well as an onstage freestyle showcase, which I was happy to be a part of. Caramell came out and did their thing as well.

Now enter the Krump Kings. Instead of a straight out show at first, they decided to call out 3 of Sydney’s finest krumpers for a battle with the eyez family, as well as 2 female krumpers to take the stage.

Anyway, The battle starts. The energy was amazing at this point. 10 Security guards holding the crowd back as we cheer and go nuts at the battle taking place. I’ll admit I have a couple of issues about the 3 people Sydney chose, namely that, can I just say that out of the so called 3 of Sydney's finest... there was only one good krumper there. The others were wack. I'm not just saying that because Scrappy is my boy and he's in my crwew, but he was the only raw talent there. It should've been him, bojla, and either me or johnny K vs the Krump Kings. Instead we got 1 good krumper and 2 wack dudes. Anyway.

Workshops were good and did a lot for the Sydney Krump scene. That being said, I know I'm gonna be seeing wack dudes all year biting Krump Kings moves and not realising that originality is key.

Highlight of the night was the session. All the people who had a name for themselves in the Sydney krump scene.... and a few who didnt... were in that circle and going off as the Eyez family watched from the stage and made commentary. I did a couple of sets myself, hyped up by tight eyez himself as I krumped my way through that circle. I’ve talked about the energy like 10 times already but whatever it was before, was nothing compared to the energy in that circle.

Finished the night off with some inspirational speeches by Big Tight Eyez himself, then headed off to recuperate and rest up. If you are a Krumper frlom Sydney, and missed out... I almsot feel sorry for you.

Chux Out
Eminant Fam Up

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This video is FRESH! It's just so different to the bboying and dancing that I see here in Sydney these days. This movie short includes bboy Crumbs and krumpers Tight Eyez (he called me "the lil' one" when I met him last week) and Lil' C (ooo I would love to meet the other Lil' one...)

Ok so this video has been up for over a year. SO?!?! I'm delayed.

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If you're looking for Hip Hop dancers, breakers (breakdancers) or DJs for any event, from corporate gigs to bahmitsvas, smaller community events or birthday parties, etc then email trina@hiphop.org.au for all your performer needs (Australia only, for now).

Trina's Snapshot:

Represents and has many affiliates within the Hip Hop and dance community.

Danced with Caramell, Groovesteps (Looze Control 2006 winners).

Co-choreographer and dancer in all girl dance crew The XY Project.

Co-manages SKB (Street Kulture Breakers), the 2007 Australian Bboy (Breakdance) Champions.

Chairperson of Hip Hop Society D2MG (based in the University of New South Wales).

Manages City Studio (Level 8, 88 Liverpool St, Sydney) offering Hip Hop dance classes.

Owner and primary blogger on Hiphop.org.au (this site) and Dancing.net.au.

Loves supporting real artists, groups, events.

Lives and breathes Hip Hop.

Will make friends with your grandma.

sleazeball dancers
Dancing at Sleazeball with Katie Underwood then later with the drag queen and king - best gig ever!
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D2MG presents Nu Skool Summer Sessions Workshops


D2MG presents Nu Skool Summer Sessions

Date: Monday, 11th December 2006
Venue: Flipwax Music
Level 3/39 Goulburn Street, Sydney
(Off George St, in Chinatown across EasyWay)

4.30 - 5.30pm: Yoske (Nu Skool Club, Japan) – Intermediate Nu Skool Hiphop ($15/person)
5.30 - 7pm: Ske(Director, Nu Skool Club, Japan) – Advanced Nu Skool Hiphop ($25/person)
7 - 8.30pm: Errol (Trick Nasty Crew, Brisbane) - Advanced Nu Skool Hiphop Electic Styles ($25/person)

Discount available:


All 3 workshops: $55 (save $10)
Any 2 workshops: $5 off the combined amount

Note: There will be no warm up session as to maximise content learned in class. Please arrive 15-30min prior to your workshop to warm up/stretch.

It is recommended that dancers of any level begin with Intermediate before proceeding to Advanced in order to become familiar with Nu Skool style.

Please book a place by contacting Katrina:
Email president@d2mg.com or sms 0400522566
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I originally posted this on my Dancing blog, but this is for those who read my Hiphop blog only...

Yes I know, I'm sorry. Several people have wondered if I had fallen off the face of the earth after the lack of posts on any of my blogs for a while (that is, about a month). What brings me back from hiatus is ironically, a broken back.

When I first got into blogging, I was enthusiastic, passionate, dedicated like a first year university student who wouldn't miss a class or lecture, ask for an extension on an assessment or plagiarize.

Then you start getting busier and busier with extra curricular activities that your parents don't find any potential in, career-wise, but you do them anyway because you've convinced yourself to follow your heart or be stuck with a life you absolutely despise. The frequency of your blogging decreases as you adopt a more "less talk, more action" view on life and you find yourself on stage with a drag queen in front of thousands of half-naked gay men and women (wait for future post "SLEAZEBALL" to be written after my rant).

All of a sudden, BAM, you crack your back, having what is described as a hernia of the spinal disc in your lower back and you're told it takes on average six months to recover (although it's never cured and you'll be stuck with back problems for the rest of your life).

Spinal Disc Herniation (Wikipedia)
Spinal Disc Herniation (Wikipedia)


Spinal Disc Herniation (Wikipedia)
MRI scan (not mine) of a spinal herniation
With doctor's orders to avoid sitting down at all times, besides abstaining from most physical activities, you find yourself at the computer again, thinking now what the f--- do I do? So back to blogging it is.

I never thought I'd ever take dancing as more than something fun to do once in a while; I never thought it would take me this far, to becoming a somewhat professional dancer with no technical jazz, ballet, tap training; I never thought I would perform along celebrities, win competitions or travel because of it; I never thought it would become my life.

Still, there's no use crying over spilt milk (or in this case, my spilt spinal disc) and it's not like I lost any limbs or had severe spinal injuries preventing me from walking, let alone dancing again.

Maybe it's just a sign that it's time for me to take a break anyway, after going all hard out for the last two years, and it came at a time when DJing is just starting to make its way into my life (although I can't bend over so changing the vinyls can be a bitch).

A friend of mine suggested I focus on Popping (old school funk style of dance) - not a bad idea but my first choice would be Hiphop or Locking, or some Breaking.

The timing does suck though, since I've had to pull out of the national Shakedown urban dance competition in Melbourne, next weekend, but regardless, I'll still rock up with my crew, in uniform and all, cheering them from backstage.

This experience has made me thankful that I have things to fall back on, like my university studies in non-dance-related areas and it makes me wonder what full-time professional dancers do when they're physically injured to a point that it completely stops them from dancing...?

On another note, my physiotherapist is extremely hot, but I'm pretty sure he's gay. Not that I'm looking anyway...

- Trina
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The hiphop and funk dance community in Australia is relatively small, but somewhat significant. It's constantly growing due to the popularity of R&B/Hiphop music videos in this country, as well as the need to impress not just by what you wear, but how you move on the dancefloor.

Kids as young as 12 are getting into the old school funk styles - popping, locking and boogaloo more than in previous years, where bboying/bgirling (breakdancing) was the more popular choice.

Until recently there hasn't been any online communities, forums, sites for hiphop dancers in Australia, with the exception of Ozbboy.com which caters for bboys only. In the past few months, owner of Ozbboy.com launched str33tlevel.com to cater for hiphop dancers; Funkstyler.com was released last month as a Youtube-style site specifically for funk style videos; now comes Ozfunkstylist.com which is a combination of the previous two, as a growing online community for the fans of funk.

I got in touch with the creator of Ozfunkstylist.com, Sheru (aka Morax) who's based in Brisbane and has big plans for his funky project.

1. What is Ozfunkstylist.com? Why did you create it?

Ozfunkstylist.com was created as the central community hub for the Australian street dance scene. Although it is designed around dancers of the funk styles (ie Popping, Locking, House etc), it's open to anybody!

It's a place where dancers can get together and share ideas, thoughts, clips, organise events and meetups, or basically anything that a bunch of dancers from around the country would want to discuss!

On the more personal side, members can create their own profile, write a blog about themselves or their dancing to share with others, find and add friends, send each other private messages, and much much more.

Content on the site is ever expanding, with plans to put in much more readable, viewable and interactive content. There's also many interviews already readable, by some of Australia's and the world's top funk stylists!

Check it out, membership is and always will be free!


2. What's your favourite style? Tell us about your previous dance experience.

My favourite styles are Popping and all its sub styles, but mainly Boogaloo, Botting, Waving, Cobra, Strobing. Also Locking, and whether you want to say it's a standalone style or not, Liquid. Even though those are the styles I like to do the most, I enjoy watching all forms of street dance, and many contemporary styles too.

I started dancing in around April 2005, when our dance studio Industrie One (www.industrieone.com.au) first opened.

For the first few months, I was taught by one of Queensland's top animation style poppers - Chuck, whose botting is the most inhuman thing ever!

After that, in about August of 2005, I was lucky enough to be taught one on one by a Korean dancer for about 6 months. He was taught Popping by Jin (from KOGS), and Locking by Khan (from Originality Lockers).

Now, I teach both Popping and Locking at Industrie One, and have also formed a crew called Shift-1 (website coming soon!).


3. Who inspires you?

A lot of people inspire me. My very first inspiration to start dancing was LPEric, who is famous for his arcade liquid clip circulating around the Internet.

Since then, my inspirations have included Acki for his feeling and clean style, Salah for his creativity and crowd involvement, Aquaboogy for his waves, P-Lock for being able to radiate funk, Khan for his ability to lock to anything, Mike (from France) for his control and intricacy, and many more - the list would be way too long to put here! All good dancers are an inspiration to me.


4. Do you do anything else besides running this site and dancing?

Yes, I normally work full time, although have taken a break recently to get ozfunkstylist.com released. Also I'm working hard with a friend to launch a new business over the next few months!


5. What do you think about Krump and the new style from Harlem, the Chicken Noodle Soup? (By the way, I don't consider CNS as a Hiphop dance style).

I'm a big fan of the newer styles of Hiphop dance, in fact I usually take classes each week! It's interesting to see the differences in the oldschool musicality compared to the newschool, and learning both would certainly make anybody a better dancer!

Krump is certainly an interesting style. From what I've actually seen and experienced of it, it's also very difficult! Will be interesting to see how it progresses over the next few years.

Chicken Noodle Soup.. Now here folks, is the next big thing - the future of not just street dance, but ALL dance! Speaking of which.. It's dinner time..

Peace and Noodles for all!

Sheru
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Yes Youtube-like sites have popped up (hehehe) in porn and dance versions - funk styles, that is.

The beta version of Pornotube (whose motto reads, "Fuck Around") features a small range of adult videos, with mostly brief, amateur clips that are (for now) free for fiewing. There's the option of filtering gay and straight porn, pay-per-minute for the full length movies, and similar features to good ol' Youtube. I won't include a video on here, you'll just have to find your own way there.

Then there's Funkstyler.com for the old school hiphop dance fanatics. It was released only this month, and specialises in funk styles - popping and locking. So far it has a knowledge base giving brief information on the history of the styles, as well as several categories; last time I checked, they were (numbers in brackets show number of videos in each category):

* Battles (6)
* Commercials (7)
* Locking (5)
* Music Videos (1)
* Performances (4)
* Popping (7)
* Tutorials and Lessons (3)

I'm sure I've posted this video on this site before, but here it is again, courtesy of Funkstyler.com. It's the Gene Kelly "Singing in the Rain" remix for the Volkswagon ad.

*NOTE: I changed the video from Funkstyler.com to Youtube since the coding makes the video automatically play, and it gets quite annoying everytime you load the site.

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Why I don't dance for drunk girls

August 6th 2006 23:42
At my university we have a Hiphop club. It's called D2MG and this year I'm heading it, with a handful of helpers and a lot more work than we can handle. Last week we celebrated "Foundation Day", the anniversary of the birth of our fine institution. At this event, like the orientation week at the start of every academic year to welcome the new and welcome back current students, we had a stall set up to recruit members and make a big noise on campus.

Usually when people inquire about our society, we don't get requests to dance for them, as there is someone always on the vinyl, grooving to the music. That day was more quiet, seeing as we had to compete with the blaring Robbie Williams and other Top 40 crap of the main stage only 50 metres away.

2 girls from the college on campus were obviously tipsy (and it wasn't even noon), badgering myself and my boyfriend to dance for them, in exchange for their signatures to our club. After much pestering we both refused and the girls left frustrated, "what's the point of this club if you don't dance when someone asks you to?"

dancing UNSW o week

What are we, monkeys who automatically do what you tell us to, just for your own entertainment? Screw you. For a $5 membership I'm not going to leave my post for the amusement of a few drunk girls. It's not worth it. We don't need your money, and you're signing up for the wrong reasons anyway.

I may sound like a priss to some who don't understand because they've never been in a position where someone says, "oh so you can (insert special talent here), can you do it here/show me?" Especially when they're drunk, you just don't wanna waste your time.

Most of the time I'll oblige, to show that I'm not just all talk; I'll engage in a battle if someone challenges me and hell I'm usually the one creating the battle circles at the clubs.

I don't drink alcohol, only in sangria and truffles. Drunkeness is a turn off (ok sometimes it's quite funny) but most of the time is really annoying. Last week especially, laying out our vinyl and taping it to the concrete for our dancers was reported to me as being an Occupational Health and Safety Hazard. Um ok. Apparently because majority of people within the area were expected to be trashed, there was a possibility that they will slip and injure themselves on the vinyl and sue us. I was personally liable being the President of the society so of course I had to roll up the mat.

Sucks.

I think only a handful of people who read this post will know where I'm coming from.


dancer krump
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Now this is sick. I am of Filipino heritage, and we are stereotyped to be awesome dancers and/or singers and sure, most are *wink* so I'm not all surprised that the Philippines won the 2006 World Hiphop dance championships last week.

Here's the trailer:



33 countries, some with more than one crew entering had each put together a 2 minute routine and trained for months to get it as close to perfection as they could. Now 2 minutes is extremely short, with the average length of dance showcases around 6 minutes, so competitors could be really selective and focus on quality rather than quantity.

Second place was given to Dziah, one of four crews from New Zealand who raised up to $45,000 to compete in LA; third to Trinidad & Tobago, who had placed second at the same competition in previous years. Now our Kiwi neighbours had FOUR teams enter this, and I didn't hear of any Australian ones but then again I don't know anyone around who even knows about this event, let alone afford the trip. Maybe in the future... if not, hell I'm moving back to the Philippines!

Here are the full results of the finals (prelims are below):

Junior Division
3rd place: Ireland (Streets Ahead)
2nd Place: Japan (Next Jr.)
1st place: USA (Mini Shock)

Varsity Division
3rd Place: Japan (Kana-Boon)
2nd Place: USA (Hip Hop Connection)
1st Place: USA (Future Shock)

Adult Division
3rd Place: Trinidad(Eclectic)
2nd Place: New Zeland (Dziah)
1st Place: Philipines(All stars)

1st Place - Philippines




2006 World Hip Hop Championship Prelims

Juniors
6. USA - Vibe Diamonds N Ruff
5. ITA - Les Avantiques
4. JPN - Monsoon
3. JPN - Next Jr.
2. IRL - Streets Ahead
1. USA - Mini Shock

Varsity
10. USA - The Pack
9. ITA - Kick up Two
8. CAN - Irratik
7. USA - 916 Cliq
6. USA - Breakthrough
5. CAN - The Unit
4. JPN - Kana-Boon!
3. ITA - Hurricanes
2. USA - Hip Hop Connxion Varsity
1. USA - Future Shock

Adult
12. USA - CS All Star
11. USA - Kaba Modern
10. NZL - Legacy
9. USA - CIA Hop Star
8. GER - Physical Funk
7. USA - Hip Hop ConnXion Adult
6. USA - Formality
5. ITA - Double Shake
4. CAN - Raw
3. TRI - Eclectik
2. NZL - Dziah
1. PHL - ALL Star


Other Videos:

Lithuania

Brazil
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Online communities are great ways to meet people with same interests, in the same scene, get info and share knowledge about certain areas. For the Australian Hiphop scene, we have ozhiphop.com, the forums full of mostly MCs and several DJs, male-dominated and you know why? Well I signed up, posted a few things which got a few responses over a period of a few months, ending with a few guys asking me to expose myself because I'm a university student. Ah, no wonder the females stay out of that male urinal.

Then there's ozbboy.com. This is different to ozhiphop.com because I know a lot of the people who go on that forum so its more personal. Still, that doesnt stop them from trash talking, hating and lots of shit stirring which turns a lot of people off. Once again, male-dominated.

For the more serious there's the D2MG forum, which is this hiphop society I head at my university, and that's got a real good balance of genders, topics, covers the four fundamentals of Hiphop and is reasonably active, although catering for a small proportion of the scene in Sydney.

So now the head of Ozbboy.com, Jeremy decided he'd take on another project that would create an online community for Hiphop dancers that would cater for those rejected by others in similar forums. It's called Str33tlevel.com and the launch party's on Thursday 10 August 9pm @ Havana Club De Luxe, 169 Oxford Street Darlinghurst. $5/guest list before 11pm, $10/ door.

str33tlevel.com
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Why I don't go clubbing: Part II

July 25th 2006 01:44
The problem - a sleazy atmosphere:

I used to complain about how the club scene is an excuse for people to get trashed late at night, as a place for people to perve, hit on, pick up and get with randoms for the night or for a little while longer after that.

The horror story - stalking:

Nowadays I don't have as many problems with guys trying to grope me or stalk my friends and I wherever we go (in and out of the club) - my bestfriend once got followed home by a guy who saw her at the club. I'm talking about leaving the club at 4am, sitting and eating in McDonald's on George St for 2 hours, catching the train home then taking a cab. All the while he was following her and luckily she noticed halfway in the cab home. She told the cab driver to stop at the petrol station where the guy following her went up to her and told her he was in love with her and asked her to marry him. No he wasn't on drugs or anything, he was completely sober. And she had absolutely no conversation with him the entire night. Freak!

The defense - saying "no" (or more bluntly, "f*ck off"):

Then there's all the date rape drug incidents. Well I'm fine because I don't drink, except for water or Red Bull if I'm really f*cked. I know people used to think "loser" when I refused any alcohol especially if someone else was buying, "come on, it's free!" Yeah shut the f*ck up I'm not a tight arse who'll take anything because it's free, and I don't need to get trashed to have a good time.

But that's just me.

I guess complaining about the music is better than complaining about the sleazy guys, the trashy girls and dirty feeling after a night of clubbing. Some people still experience that, but avoiding it is a lot simpler than they think.

Then I get people who tell me I'm too preachy: "go join a convent or something and let me get smashed if I want to. By the way, you're so not cool and how are you supposed to get a guy if you don't show some skin?"

The remedy - be cool:


1. You're cool if you think you're cool, and/or your mom says you're cool
2. Sexy is hiding your skin and leaving it to the imagination, with maybe a flash of the shoulder or hips.
3. Sexy is being able to walk, talk and act normally using wit and charm to impress. It's not sexy to stumble around tipsy-like, clinging to your girlfriends and speaking gibberish with make up running down your face.
4. Cool and sexy is being able to dance to the music, and in order to do this you must at least be sober.

I'm talking crap, I'm highly delirious and I'm f*cking hungry. I hope this post made some sense.
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Why I don't go clubbing

July 24th 2006 00:27
I used to love heading out on a cold, rainy night, "funky fresh dressed to impress ready to party" at the hottest club with a friend or a few, a whole 6 or so hours of non-stop dancing to great R&B/Hiphop.

Times have changed. Well, for the rest of the world, but not for the clubs in Sydney. No, I'm not complaining about getting too old for clubbing (I'm only turining 21 next month) in a country where the minimum legal age for admittance to clubs is 18 y/o.

I'm talking about last Friday night where I found myself in an R&B/Hiphop club event, the whole 4 hours that I was there, I thought I was 18 again, with the same music played not just once but over and over again by each DJ who thought they were being fresh by playing some "old skool" tracks.

Now I'm not telling DJs how to do their job and what they should be playing - that's their prerogative. I'm just saying that I am tired of hearing Fatman Scoop and other unoriginal mixes that have been playing in these clubs for at least 3 years already. I know there's a lotta people out there who feel me on this too.

No, I don't wanna hear "skeet skeet skeet", "if you got hundred dollar bill put ya hands up", "who's f---ing tonight", and all the other same overplayed sh*t. Gimme something fresh, something to work with, some real old school. I'm talking about some Ak'Sent, Jae Millz, Cassie, Aaliyah, Biggie & Pac, yes even Pitbull, and some classic MJ. Crunk is alright but not too much, same goes for reggae/dancehall.

Yes Mr/Ms DJ you can tell me to f*ck off, "do you know how much vinyl costs, especially the new sh*t we gotta import it"; yes I understand these things, but if you were a REAL DJ you'd be able to mix it up and give it some of your own flava, and actually use the turntables as an instrument and not just as a record player.

I guess what really matters is the company you're with, not just the music. If you're with a great group of friends then you can have fun anywhere, no matter what. We like to make circles, we like to jam and battle no matter what sh*t they're playing. And that's what it's all about *clap clap*

Clubbing at Pumphouse 411 Felix Breaking


I'm really loving the old school/hiphop/funk night of event Deja Vu at Coolabar Nightclub, Pitt St. DJ Naiki and Nacho Pop are usually on the decks during this monthly event and they play some good sh*t, mix up the styles and the crowd is full of dancers and bboys/bgirls. I'm prolly gonna have my birthday at their next event in August cuz I know I can get down. Yes, you're all invited.
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Dance till ya crip-walk

April 28th 2006 01:31
So I was at the bus stop today, and there were two school kids just being their loud, young selves – boys in early highschool years on the way to hang out at the local shops. After offering me candy while pointing out the flash of purple in my hair and asking if they were being too loud, I heard one of them recite 50’s “If I Can’t”.

Naturally, I turn to the boy and ask if he’s into Hiphop. “Yeah… are you a dancer?” I nodded. The other kid goes “well duh, look at the way she’s dressed, you can fully tell bro!” Hmmm. I like that. Wearing my black pink-striped Adidas trakkies, black and pink-lined Skechers and cropped pink Babydoll sweat jacket, they thought I was going to teach a class when in fact I was on my way to an Accounting exam at uni.

“Wow! Can you breakdance?”
“A bit…”
“Oh oh! Can you crip-walk?”
“Yeah.”

When I get asked to show some moves, I oblige. Why? To show I ain’t all talk.
They were highly fascinated and as the bus was approaching, asked for my number (to learn! I swear.)

Snoop C-Walk
Snoop C-Walk (Wikipedia)

I know that the most popular “Hiphop dance moves” right now is the crip-walk and krumping. Oh don’t forget the booty shaking that females are reduced to. There’s a lot more to Hiphop dance than that. Check out the old school funk styles like popping and locking. Add some house to ya steps and Harlem shake it like a Polaroid picture. Don’t bite – the way a copycat does and not an angry dog.

Speaking of which, I have an extremely important urban dance competition (GROOVE) tomorrow. Go Groovesteps!

Trina
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Blog Top Text

November 2nd 2005 21:16
For Hip Hop dance classes in Sydney, check out my dance studio D2MG Hip Hop Academy

Post Summaries:
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Bottom Menu Section

November 2nd 2005 09:45

Dancing.net.au
My dancing and personal blog, Confessions of a Serial Dancer.

D2MG Hip Hop Society
D2MG Hip Hop Society based in the University of New South Wales, Australia.

Darrio Street Dance in Sydney
Darriostreet Dance based in Sydney, Australia. Darrio is my dance mentor.

Dancekool
Dancekool, the only REAL Hip Hop and Funk dance school in Sydney. They are also my dance mentors.

Ozbboy
Ozbboy.com - the forums for bboys and bgirls in Australia.

B-boys.com

Harlem Hip Hop Tours

Rap Beefs

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