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The Scenario November 6 2009


Sydney's regular funk, hip hop and dance convention, held on the first Friday night of every month at Melt, 12 Kellet St Kings Cross

Showcasing the world's top party music and live performance from the best hip hop talent, DJs, dance crews, MCs and funk bands, The Scenario @ Melt Kings Cross is the place to go to shed your work skin and step into a world of funk and entertainment.


The party and the dancefloor are the core of The Scenario. Presented by hatonrack in partnership with D2MG hip hop academy and in collaboration with Dancekool and Xposure, hatonrack supports musicians and bboy, hip hop, popping and all other styles of dance through its flagship event.

Thinking of visiting The Scenario? Expect dance showcases and battles, live freestyle MCing and Australia's best DJs and producers on any given night.

Next event Friday 6th November

The Scenario is Sydney's number one party spot. Come and keep the Melt dancefloor hot with the world's best funk and hip hop and party hosts hatonrack, D2MG, Dancekool and:

* Headline Selector DJ Floskel (Germany) - one of Europe's top funk, hip hop, club and battle specialists
* Sydney selectors DJ Naiki, Dave Silva and JPlatnum
* Deja - Sydney hottest ladies of hip hop dance

* MCs Nick Knowledge and Adikkal

Melt, 12 Kellet St, Kings Cross, from 9pm - view google map
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Batucada Sound Machine Hit Australia

January 24th 2009 03:06
Batucada Sound Machine

New Zealand's 13 piece hip hop, funk, samba mash-up group Batucada Sound Machine are bringing their crazy Brazilian percussion based performance to Australia for a week long tour this February. As they explain, "Loosely translated, ‘batucada’ means percussive samba jam, which aptly summarises BSM’s musical roots. BSM began in 2003 when five passionate drummers met once a month in the dimly lit lounge bar of Galatos nightclub in Auckland to experiment fusing 'batucada' with more local beats and influences. Before long, a talented group of diverse musicians had joined in and the band had grown to 13 members".

BSM 2
BSM 2

With the individual members of the band involved in various solo and group projects outside of BSM, you might recognise some of them from earlier works, most recognisably in upcoming MC Hazadus showing his own style of soul infused vocals after years of fame in Che-Fu and The Krates.

If your able to make one of these performances then your in for a sweet night, and from what i've heard and seen in their performances locally and in Europe, you might need to get your boogie shoes on for this one.

Batucada Sound Machine will play:

Feb 12 @ East Brunswick Club, Melbourne

Feb 13 @ The Factory Theatre, Sydney

Feb 14 @ Canival In The City, Canberra

Feb 15 @ Becks Music Box, Perth

Feb 28 @ Music Mountain Matakana, NZ

You can check out more of Batucada Sound Machine at:

www.batucadasoundmachine.com

Really Long Link

...bs
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D2MG Christmas Party Sat 20th Dec 2008!

December 11th 2008 12:54
Celebrate the holiday season with us as we bring back the block party and the soul train! D2MG has invited a range of dance schools around Sydney to be a part of our event, including DarrioStreet, Dancekool, Dance Central and Caramell, with DJ Libre on the decks along with many other special guest DJ, MCs and beatboxers to make up one big jam session. Help keep us alive with a $5 donation or more, and feel free to BYO. See you there!

www.d2mg.com

D2MG Christmas Party 2008
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Hip-Hop is such an American thing that it’s sometimes easy to forget that it happens elsewhere in the world. In a country where people have accents as annoying as Australia (let’s face it...) it may be tempting just to assume that it’s not likely that you’ll come across it and leave it at that.
There is though, one group who popularised Oz Hip Hop, that a number of people may have heard of; The Hilltop Hoods. An example of their work here:


Before the Hoods became popular though, there was another band busy blazing a path in Oz Hip Hop. This was the Herd. A group of nine members, including four MC, three beatspersons, and an assortment of instrumentation including piano accordion, clarinet, guitar and bass. Their songs used the full potential of Rap/Hip-Hop as a tool for social commentary, including songs such as Burn Down the Parliament. Behind the backdrop of the Conservative Howard Government, the Herd blazed an angry left wing lyrical flow of dissent.

Some quotes from their songs.

Sons and daughters wrapped in stars and stripes to keep 'em warm

77% of Australians are Racist; and if you were here, I’d say it to your faces.

Captain Cook was the first queue jumper

Len Hall Gallipoli veteran gently passed away thinking we learned not a thing; Played the Commonwealth cannon-fodder, his ominous words, that if he had to do it again, he'd fight for the Turks.

The Sun Never Sets is a favorite album of mine, from this band. Not only do they have the willingness to speak out politically, they’re not bound by the traditional constrains of their Genre. On the opening Track they speed up the beat slowly, following a Mandarin introduction, soon followed by rap verses in Chzeck and Spanish. Jane Tyrrell, female vocalist is featured regularly, and often with a sound closer to pop or folk that hip hop. Quite frankly, they’re not a textbook hip-hop band.

Here’s one of their songs;

herd
27cdb6e-ae6d-11cf-96b8-444553540000" codebase="http://fpdownload.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=7,0,0,0" allowNetworking="internal"> The HerdLong Lunch

Another of the members of the Herd, Urthboi has had some recent success with his own projects. Here is an example of his solo work.

27cdb6e-ae6d-11cf-96b8-444553540000" codebase="http://fpdownload.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=7,0,0,0" allowNetworking="internal"> UrthboyWe Get Around
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Shad - I Don't Really Like To

April 28th 2008 03:52
Canadian rapper Shad and a Gorilla
My man Shad comes from London, bringing his Kenyan flavoured rhymes to the circuit.

Except that this cat is outta London, Ontario (in Canada), not the Clash's London.

Shad brings a sense of social responsibility to the hiphop game, using his albums to criticize the Rwandan genocide and cast stones at the commercialism of hiphop.

The Old Prince, released last year, won a Juno for Rap Recording of the Year, which is as recognized as you can get in Canada without being caught on an ice floe with a club.

James Goymour sent me this link, advising me that if this track didn't get me back into good graces with the rap scene, nothing would. A fine silver bullet, James. He also sweetened the deal by handing me a honeycomb sundae, which, though it might sounds metaphorical, was actually a honeycomb sundae.

Here's a fresh track, "I Don't Really Like To":


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Bill Cosby putting out a rap album

April 21st 2008 11:21
Cosby bebop rap
Don't worry - don't worry!

"“I do not rap on any of these things,” Cosby said Monday. “I wouldn’t know how to fix my mouth to say some of the words.”"

Yes, Bill Cosby is releasing a rap album called "Cosby Narratives vol 1: State of Emergency", but he's getting a whole crew of guest rappers to do the real work.

Sure, it sounds ridiculous, even from me, a kid raised on The Cosby Show, but I can really get down with Cosby's motivation:

"Cosby said the hip-hop music he hears is profane and degrading. His album is “the opposite of what I think is the profanity for no particular reason, the misogyny for no particular reason,” he said. “It really looks at the frustration and the anger that a young man may have.”"

This all sounds quite exciting coming from a man that brought family-friendly comedy to black audiences, leaving the raw for Richard Pryor and Eddie Murphy.

When I got a little older, I forgot about the wholesome rye of Cosby and went for the addictive pixie sticks that Murphy was selling. He swore! And made fun of white people! Oh, the funny!

Of course, since then, Murphy has learned how to sell out, just like his comedic classmates Steve Martin and Ice Cube. What happened?

No tracks have been released, but I found this popular music video: "Cosby Bebop"!




What's the difference between Dre and Cosby?

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Biggie Smalls, 17, in a battle

April 17th 2008 22:02
Biggie Smalls Notorious BIG


Ah, Biggie. Where have you gone? The Notorious B.I.G. went by many names - Big Poppa, Biggie Smalls - but no amount of pseudonyms could protect him from his disastrous fate. Murdered in cold blood.

Immortalized, though. Between "Party and Bullshit" and "Hypnotize", Big Poppa left an unforgettable mark on hip hop.

We should remember, though, that he was a struggling kid at some point... this video of Biggie freestyling, apparently in a battle, on the streets of Brooklyn, reminds us of just how savage the man would be.



*this image is from this blog post
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platform 1 hip hop carriageworks sydney


This looks sooooooo dope.

PLATFORM 1 HIP HOP FESTIVAL, Sydney Australia
Friday 28th and Saturday 29th of March 2008


Platform 1 Hip Hop Festival is set to explode with two days of high-powered Hip Hop action, representing Breaking, Graffiti, Beatboxing, MCing and DJing. A fresh experience for the hip hop novice and old skooler alike, the festival includes a series of free events, workshops and two huge nights of entertainment.

Flexing skills: Platform 1 presents premium Hip Hop action when some of Australia's best B*Boys, B*Girls, DJ's, Vocalists and MC's unite on one stage and are judged by you!

Competing in four randomly composed crews, the night will be a mashup of raw skill and freestyle as the finest in the culture represent their element.

Accompanied by the Metabass Allstars. Hosted by Morganics. Make sure you arrive early for the performance of Stiltbreak at 7.30pm.

Freak the Technique: B*Boy | B*Girl battle, some of Australia's best breaking crews will battle it out for the Platform 1 title. Featuring Interstate Judges – Arch Rival, King Ippy and Versastyle. Popping and Locking, Krumping, DJ Mathmatics and live Hip Hop acts. Hosted by Nick Power.

Breaking Info:
Friday and Saturday night 7.30 – 8pm – StiltBreak a wicked fusion of Breaking, Stilt Acrobatics and Artistry. Feat: B Girl Flix, Mr Flip, Manifest and Rely. Stalker Theatre Company.

Friday night:
8 – 10pm Flexing skills – Live invitational Jam featuring some of Sydneys Dopest MC’s, DJ’s Vocalists and Breakers – Unique B Girl, Arch, Ippy and Versastyle. Tix $15/$12

Saturday:
4 on 4 Breaking Eliminations 3 – 5pm.
Top 8 to go through to Freak the Technique that night. Run in conjunction with Graff comp and Demo.

Freak the Technique B Boy/B Girl Battle 8 – 11pm.
Feat – Def Wish Cast, Foreign Heights, Morganics and Eminent Family.
Hosted by Rely. Interstate Judges: Arch Rival, Versastyle and Ippy. DJ Mathmatics.
1st prize - $1000. Tix $15/$12

Dance Workshops in Breaking, Popping, Locking and Street Funk.

FREE events include:

* Performances of Stiltbreak, a fusion of Stilt Acrobatics and Breaking by STALKER Performance Projects

* Photographic exhibition of Australian Graffiti by Guillaume Chesneau

* Can Control - graffiti demo and competition. Hosted by Mistery

* Chalk it Up - Create your own chalk graffiti artwork

platform 1 whats on schedule hip hop festival
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Return of the Juice Crew

March 17th 2008 09:48
You've got to be kidding me - the Juice Crew is getting back together? Are they starting up the old beefs too?

Juice Crew reunion poster


That's right... Marley, Big Daddy, Biz and friends are going to rock it on March 21st, otherwise known as Good Friday.

That's the day that Jesus died, only to be resurrected and reform with his old Brooklyn crew, John the Baptist dropping beats while The Carpenter laid rhymes on that noise.

Man, it's almost enough to make me want to take the train to the airport, buy a $2500 ticket, fly for 12 hours to Hawaii, fly 7 hours to Chicago, fly 4 hours to Georgia, get fingerprinted by the TSA...

...aw, forget it. There's no point in getting fingerprinted just to check out the Crew. Besides, I've got a little beef of my own, with aging musicians still trying to pack arenas. Are Juice Crew the hiphop equivalent of The Rolling Stones?

A noticeable loss of Kool G., though... what's with that?

(found on Cocaine Blunts)
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2007 was the year that hyphy died

January 30th 2008 04:20
Keak da Sneak
Well, I don't know. I don't dig hyphy all that much, though it'll probably enter Australia on crates of smuggled cane toads.

Nation of Thizzlam has a post looking back on 2007, predicting that it was the last year that hyphy would make a stand.

Check out the post for some sweet samples from the latest albums from Husalah and Keak Da Sneak, getting good reviews from the site, although they question Husalah's wisdom in talking up how good-lookin' he is:

"All you have is a stripped-down (beatboxed?) beat and Husalah's inane rants about how gorgeous he is (on a side note, this is weird shit for a rapper who must know he has a primarily male fan base, and is about to go to prison. Just saying"


A great point on the post: The Worst Slang of the Year:

"One word: Wet. That it has become acceptable for hetero dudes to say they are "wet" when they mean to see "fresh" or "well-dressed" or whatever the fuck is upsetting, to say the least. Worst offender: Mistah FAB. "I'm wet, so wet, I'm juicy/ n---as love me like Ricky love Lucy". I could have lived without that one. It's too bad Mistah FAB doesn't have Cam'ron's ear for gay innuendo, he might have said "no homo" a few times, or just left that god-awful line out of the hook of the first track of his first wide-release album. Just saying."

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Jean Grey Famke Janssen
I got introduced to Jean Grae by this English dude at the cafe where I worked. 'D'you know Jean Grae?' he asked me.

'Do I know Jean Grey? Hell, yeah! She was smokin' in that X-Men movie!' I exhuberantly trumpted in the kitchen.

No, I didn't know at the time, but he lent me a CD, which I listened to, realizing that it was easy to place the rapper's voice... the chick off that Herbaliser album, with the slick freestyle ending.

The good news to all you cats in NYC: Grae will be performing with a jazz band and her mother, notable singer, Sathima Bea Benjamin at the Sweet Rhythm Jazz Club on Jan 23.

Details on the event.

For those of you that still think of Jean Grey as the lover of Cyclops, here's a clip from my favourite track, Each Morning:





*this image is from the SuperherodB
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Hands On - A Live Hip Hop Experience

January 11th 2008 03:14
 Hands On - A Live Hip Hop Experience mystro at the basement
Hands On - A Live Hip Hop Experience
@ The Basement (Sydney)
Friday January 11th, 2008


As we move into a new year, Joint Adventure and Basic Equipment would like to announce a show which will hopefully be the start of a new progression in live Hip Hop. "Hands On" is a new concept night, to be held in the classy, highly regarded venue which has been home to many legends, The Basement. The idea is this.... Add together a world class hip hop act with a highly skilled live band, and have the two team up to remake all of the artist's music... completely live! We have taken the best of both worlds and thrown them together for a night that will be sure to set the roof on fire.

For our first experiment, we have called upon the talents of the UK's natural born spitter, Mystro. Having brought us the album Diggi Down Unda (Grindin'), Mystro has quickly made Australia his second home. Through his many trips down under, he has showed us time and time again that he is one of the finest live performers to come out of the UK. His in your face style, skillful lyricism, and catchy hooks have helped him achieve a huge amount of success in Australia, as well as around the world. Now it's time to push him to another level....

We have teamed Mystro up with the incredibly talented live latin funk outfit, Veneno, who will be playing and remaking Mystro's finest tunes with their incredible 9 piece band. This will be the first time Sydney gets a chance to see Mystro backed up by a full live band, and we're predicting the vibe to be pretty incredible. If you've ever seen Mystro perform, you'll know that he generates a lot of energy. Now imagine that energy matched by another 9 top notch performers. This is going to be a very special night indeed....

To help make this an even more memorable night for you, we have added to the lineup the many talents of the California based, master of soul fusion, Aloe Blacc. The extremely gifted, and incredibly diverse artist has quickly made a name for himself, and is being regarded as the next king of soul. One listen to Aloe Blacc's album, Shine Through (available on Stones Throw), and you will immediately have respect for the many gifts this young artist expresses through his music. He can do it all, from rhyming, to singing, to producing his own music. Aloe Blacc is a truly multi-talented artist who will leave you feeling good on the inside with his positive, soul-filled twist on life.

We have also called upon a very special guest to join in on the fun, Foreign Height's own Maya Jupiter. She will be jumping up with her good friends, Veneno, and will show us why she is one of the most in-demand female artists in Australia.

Holding down the decks all night will be Alchemy Radio's DJ Jonah. His extensive involvement within the Australian Hip Hop and Dancehall scene has been going on for many years, and has led him to create music with acts such as 420 Crew, Killa Queens, and Sista She, to name a few. Jonah will be keeping the vibe rolling all night with a varied selection of tunes that will be sure to get you in the mood...

So, if you're in Sydney, make sure you get down to The Basement on Friday January 11th (tonight). This will be a great way to start 2008, and will hopefully be the first of many "Hands On" events, brought to you by some of the hardest working lovers of Hip Hop in Sydney, Joint Adventure and Basic Equipment.

Tix are on now on sale- Only $20 pre-sale (via Moshtix) or $25 on the door
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Interview with Pete Philly & Perquisite

January 11th 2008 02:48
Pete Philly & Perquisite 5 - Dennis Duijnhouwer


Interview with Pete Philly & Perquisite
By B.S.

Hey guys… thanks for taking the time to share with us a little mindstate …
From the sound you guys have created together it seems you have an intimate understanding of how each other works. How did you guys meet and how long have you been collaborating?


We’ve been collaborating for about four to five years now. We met through a mutual friend who thought we should hear each others music..

Did you guys work individually with many other artists before you realized that the two of you were the right combination?

Pete: Well, I used to be in Funk bands, soul bands and drum & bass bands. Before we decided to make an ep together.
Perq: I’ve always released my instrumental solo stuff on my own label Unexpected Records.

Who are some of the artists you played in your first cars? Were any influences from the ‘Golden Era’ of Hip Hop (’93 & ’94) when artists like De La Soul, and A Tribe called Quest were redefining Hip Hop?

We like melodic hip hop so those artists are artists we have listened to. However I think we listen mostly to music outside of the hiphop genre. I (Pete) am really into soul music, rock music, Latin music and broken beat stuff.
Perq: I’m into old stuff like the Beatles, Simon and Garfunkel, but also MIA. Rght now I’m really into folk music from Chili and Africa. We’re both into Jazz though of course.

Your first two albums, video clips, and virtually everything you have done together carry a completely unique style both musically and fashionably… what is styles relationship with music?

Funny you should say that, cause we’re not really into fashion. But we do want to represent who we really are. We both dress casual with a hint of hip hop in there. We like the fact that the Time Flies cover art for example looks like it’s a classical tune done by a string quartet or something. Our fan base in Europe is really diverse because of these kind of decisions I think (Musically and stylistically).

Pete – without emulating your predecessors; your flow has set a new benchmark for artists to follow, how did you come to find that voice?

Thanks. I believe that as an artist and as a person I’m simply the sum of my experiences and my inspirations. Coming from a Caribbean background (I came to the Netherlands when I was six), going to an American school. Growing up though with a sober Dutch sensibility, combined with the fact that I don’t really feel the need to copy paste the American themes have gave me my own story to tell. I’d like to say I sample the best out of every culture I feel connected to and because of my international upbringing and the multicultural place that is Amsterdam, for me, it’s easy to do.

Perq – you cross over so many styles in your production, what do you use to make the beats in the way of software, instruments, people, etc?

I started making beats when I was about fourteen. I got this tracker program off of a friend of mine and I’ve been making beats with it ever since. I combine it with cool edit pro to record my string arrangements on the cello for example. People tend to think that I use a lot of live instrumentation though this is not the case, other than a guitar or a saxophone solo every now and then. I think 80% of my music is sample based. The way I program things like bass lines some people think it’s being played live, which I guess is a compliment.

Since you dropped your second album Mystery Repeats you guys have been touring a lot. Where have you been traveling and where’s up next? Can we expect to see you in Australia and New Zealand any time soon?

We definitely want to go to Australia and New Zealand! For the next few months our main focus is on Europe and Japan. After that anything should be possible.

What was it like to work with Talib Kweli? Have many artists coming out of Brooklyn had an impact on you over the years?

Well Biggie of course. I think a lot of the older stuff Talib, and Mos did was really exciting. At this point I believe as artists Perq and I are going in another direction than they are. But the older stuff is great. Kweli is a cool dude, he really was impressed to see two young kids with nobody backing them up at the time, making the moves we were making with honest music.

I’ve heard you guys like to step up each others game with a little bit of healthy competition… So who’s cooler?

Hahaha, I think I’m cooler, which probably goes to show that Perq is.
Perq: I think it depends on what situation we’re in. We’re both very different haha..

Both of you are still relatively early in your careers (especially considering your accomplishments). What direction do you think your music will take over the coming 5 - 10 years?

I think we’ll keep writing songs with a hip hop twist while tapping from other genres to keep it interesting. There are so many interesting ways to make music and we’ve barely started exploring them so… Keep checking us out people!

Nice to catch up with you both, your music is so well received in Australasia as it is around the world and we hope to see you performing on our shores soon…

You can check out more from Pete Philly and Perquisite at
www.verygood.com.au
Really Long Link
Really Long Link
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buzz monkey national breakdance hip hop competition canberra
Click to enlarge


Saturday 24th November 2007 at 3:00pm - AIS Arena Canberra

The Buzz Monkey National Hip Hop and Breakdance Championships has been put together to celebrate the new urban dance culture hitting Australia by storm. Dance is one of the fastest growning sports with in Australia and the world.

Come and celebrate one of the biggest urban dance competitions on the Australian dance calender with some of the best hip hop and break dancers around Australia competing for the title of Australia's best and a total prize pool of $25,000!

Also guest DJ's appearances by DJ Samurai, DJ Mathmatics and DJ Rush.

With guest appearances and performances by Joel Turner and the Boyz and BStarz (A popular local ACT Hip Hop Group). Also America's top brekadancers Ronnie, Roland and Frankie Flave as international judges and local hip hop judges and many more celebrity appearances and performances through out the night along with the competition itself.

Ticket are avaliable at Ticketek as of Monday 3rd of September. Be in quick before you miss out

VENUE: AIS Arena Canberra, Leverrier Crescent, Bruce ACT
TIME: 3PM

HIP HOP JUDGES DARRIO - DARRIO STREET
FRANCIS - KULTURE BREAK ACT
TRINA - SHADY CREW | Hiphop.org.au | Dancing.net.au | D2MG Hip Hop Society - Chairperson.

BBOY JUDGES:
FRANKIE FLAVE - KILLAFORNIA - LA
ROLAND - KILLAFORNIA - VEGAS / LA
RONIE - FULL FORCE - VEGAS

FULL CREW COMPETITION.
10 VS 10
$6000 PRIZE MONEY

1 ON 1 HIP HOP AND BBOY COMPETITION
1ST $5000 PRIZE MONEY
2ND $2500 PRIZE MONEY
3RD $1000 PRIZE MONEY
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Monday Night Live Hip Hop

November 5th 2007 04:11
LIVE OPEN MIC MC's
MONDAY NIGHTS @ THE EVELYN

GHOST FIGHT and GIMMICKS......

Live Hip Hop at the Evelyn returns with one hell of a bang. Hosted by Urban Monk (Gunpowder Footsteps album out now on through Obese) and backed by the SS PEcker Rhythm section. All MC's welcome to come and strut it backed by one of the illest live hip hop outfits around. Also feat DJ Newell.
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Haunts and Mules -

November 5th 2007 04:10
Choose mics
Free mp3
Formula Records presents –
CHOOSE MICS (Haunts and Mules)

After perfecting his beat making skills over the past few years Mules (Boltz) has teamed up with Birmingham UK rapper Haunts.
Having toured half the country on both Bliss n Eso “Day of the Dog” and “Get loose” tours last year, the lads have been hard on the grind putting together a mix tape and an album that they believe is "world Class"...

Now residing on the Gold Coast QLD, Haunts and Mules are planning on releasing an all original Mix tape in early Feb 08 followed by an independent album dropping May 08.
This is a little taste of what the lads first release will be all about you can download the song “Gritted teeth” off the forth coming “Choose Mics” mix tape
Here

goldcoasthiphop.com/Gritted Teeth.mp3

Just copy and paste this straight into your browser…


Check out their Myspace

www.myspace.com/choosemics








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NEM-S-ISS Can't Deny it

November 5th 2007 04:09
NEM-S-Iss


Hey everyone it's DUB from Rlow music and i am here to let everyone know about the hot new artists out of canada NEM-S-ISS. And the whole list of other artists that bring that heat. We caoming from CANADA EH and we cant be stopped...Link me for any details that you want and watch out for that CANADIAN HEAT...
THANKS

DUB
Your text goes here
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cee-rock the fury
CEE-ROCK "THE FURY" Interview
by B.S.

Firstly, where are you from?

I'm originally born and raised in Queens, New York. I call it the Q*Sector (a name that I came up with many many years ago). If you've ever heard of the famous Linden Blvd., that is the area where I'm from. The Lost Boyz helped put Linden on the map.

So you're in Queens, New York at the moment, it’s an inspirational place to myself and hip-hop fans from around the world releasing artists like Run-DMC, A Tribe Called Quest and LL Cool J just to name a few. What’s it like being a musician in New York?

It's a good look because it is such a renowned place. Like you said, legends came from out of this borough. Can't forget about Pharoahe Monch and Prince Po (from Organized Konfusion), Kool G. Rap, Nas, Kwame, Mikey D (we go way back), Large Professor, Salt & Pepa, Roxanne Shante, MC Shan, Mobb Deep and of course 50 Cent.

What have you heard about the Australasian hip-hop scene from all the way over there in the USA?

I haven't heard much about the Australasian Hip-Hop scene to be honest but I travel all the time and one of the benefits of that is that I get a chance to listen to other cultures of music. Good music is good music (even if I do not speak or understand the language). I've been known to collaborate with people from different countries and languages so it makes me stand out quite a bit from everyone else.

With so many paths to take in life… why music, and why hip hop?

If you had a basketball in your hands when you were very young and you shoot and dribble long enough, you would probably love it forever. You become extremely good at it and eventually it may become your profession. I was exposed to Hip-Hop from the veryearly stages of it and I have an understanding and appreciation of it. I've mastered it and I love the energy you give and recieve from it. When I'm on stage and I'm puttin' in work and the crowd reacts in a positive way and throw their hands and fists as well as their luv back at me, it is a wonderful thing.

You’ve worked with a lot of artists in your career so far, what experience do you think you’ve taken the most away from and enjoyed the most?

You never stop learning about Hip-Hop (even though I say that I mastered it). You can always learn more and experience more. I learn from other cultures and it makes you more complete when you are exposed to such variety. I recently did featured on Veronique Lalouette's album in South Africa when I was on tour there last year. Her alias is 'V'. She was a finalist on IDOLS (that is the South African version of 'American Idol'). She sings and I dropped a verse on it. Things like that are cool for me because it builds up my resume and I get to network on a worldwide level. People ask me to collaborate all the time on their albums and I'm cool with that. However, I am signed and under management so the proper procedures have to take place in order for it to happen. When I finally come to the Australasian territory I hope to work with various outlets there. That goes for record companies, booking agencies, festivals, magaizines, television, radio, media outlets or whatever. Ladies, we can 'network' too!

Throughout your career you have labeled profanity as a cop-out for emcee’s with limited vocabulary and skills. How do people respond to this view?

I stick by my comment but let me elaborate on it a bit......I never said that I wouldn't work with someone who uses profanity. Even Chuck D uses profanity once in a blue moon but Chuck D is not recognized by that. He is recognized by his talent, voice delivery and lyrical content. A highly respected emcee may utilize a curse or two to emphasize a particular point. However, these days, emcees use it out of context and throw it onto a song 'just because'. If it has no validation or purpose to add to the song then why even bother to use it? Radio in the US won't even play it unless you have a radio edit (not talking about outlets such as Sirius Satellite Radio). It sounds really stupid to hear a song on a radio that is played 90% backwards because it is curse-filled throughout. I've heard love songs with emcees spittin' a 16 bar on it with curses on the majority of the verse and the stuff they say has absolutely nothin' to do with the song's concept. What does your verse even have to do with love?!

A lot of emcees have a very limited vocabulary and that is why all their songs and albums sound the same. They sound redundant and repetitive. It's like listening to an entire album with one very loooooong track. You can't even tell the difference! That is why I respect the emcees who put in work and take time to write as well as some high quality thought. For those who don't, you need to recognize and step your game up! This ain't the time to be spittin' and mastering the 'Barney' and 'Telletubby' wordplay delivery. People don't pay good money to go to your shows to hear the alphabet (at least I hope not). Let's upgrade, people!

Your new album “Bringin' Da' Yowzah!!!” is soon to be released in Australia, can we expect any collaborations on it?

I have a few special features on it. I got my dawg Late and 10Shott from West Midlands in the UK (they put in some serious work - big-up to 'Wolftown'). I also have Promoe from 'Looptroop' (he is a keen example of a lyricist who puts in deep thought - I've known him since 1997). Promoe had cursed on the original version of our song together but we had to edit it out [LOL]. I also have the legendary Mikey D (formerly of Main Source) on my album. In case the new generation doesn't know who he is, he's the emcee who took the belt from legendary Grandmaster Melle Mel (of Grandmaster Flash & The Furious Five) in the rap battle for world supremecy. He also gave LL Cool J his rap name (newjacks, do your research on it). Last but not least, I have BK's finest emcees, Tah Phrum Duh Bush and Coole High (these are my dawgz right here). I am also part of a rap squad called 3DA which stands for '3 Dyffrent Anglez' (Tah, Coole and myself). That is something you will hear more about in time. We represent our organization 'Flow Federation' (spread the word). Headz who love that true essence of Hip-Hop will truly appreciate the Bringin Da' Yowzah!!! album. It's a good look!

You talk about the pioneer’s who “keep it real, with the mass appeal”. Who were the pioneers that shaped your craft on the way up?

Wow, where do I start? I grew up listening to The Trecherous Three, Grandmaster Flash & The Furious Five, Cold Crush Brothers, Doug E. Fresh & Slick Rick, Dana Dane, Whodini, Boogie Down Productions (BDP), Run-DMC, Salt-N-Pepa, Finesse & Sequence, The Juice Crew, Kurtis Blow, Afrika Bambaataa & The Soul Sonic Force, Mantronix, Just-Ice, Digital Underground, Mr. Magic, Cipher Sounds, Busy Bee, Sugarhill Gang, Funky Four Plus One More, Oran Juice Jones, MC Lyte, Dr. Jeckyl & Mr. Hyde, Full Force, Whistle, T-La Rock and the Fat Boys.

It’s great to catch up with you Fury, before we wind this up… there are so many people in this world with talent and desire to make music, do you have any advice on what separates those from who dream and those who do?

Yeah. Try to stand out and make your own identity. There are so many artists out there who are nothin' but Xerox copies of other Xeroxes who copied from themselves from someone else. Respect the game of Hip-Hop and the game will respect you back. Also, do your best to be a respected artist and master your skilled trade (sometimes a good name is all you have). You may swing a bat in you hands but that doesn't put you in stripes and make you a 'Yankee'!

I wanna give a shoutout to everyone in the Australasian territory, The Very Good Agency and the rest of the planet. All is welcomed to show me some luv by signin' my guestbook at www.ceerockthefury.com as well as posting a comment on my official MySpace page at Really Long Link As long as my 'furyous' rhymes are on the menu - nonstop Hip-Hop will continue. Hip-Hop forever, y'all!

Cool. Thanks for stopping by.

**You can check out more of Cee-Rock "The Fury" at www.verygood.com.au.

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the elements tour 2007 ztrip
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THE ELEMENTS TOUR 2007
Z Trip LIVE feat. SOUP of Jurassic 5
( live percussion)
DJ Format (DJ Set)
Swollen Members (Live)
The Jungle Brothers (Soundsystem Set)
& local guests (tba)

The Elements Tour is a live representation of the defining aspects of global hip hop culture. The sound and substance of hip hop is defined by the constant evolution of each of the 5 ‘elements’ that drive its progression, (graffiti, breaking, emceeing, deejaying & knowledge). The Elements Tour profiles local and international grand-masters of the elements of hip hop, as well as providing a gateway for a next generation of Australian hip hop emcees, DJs, breakers and beatboxers to represent on the world stage.
Elements aims to represent Australia’s premier hip hop culture reference point, combining the cream of the local and international crop with a unique and diverse approach to melding musical forms. The local talent presented through the shows will aim to profile ozzie hip hop’s own elemental masters, featuring artists who have helped shape the genre.
Witness the international overground and the local underground converging to create a truly unique hip hop spectacle, blurring cultural definitions and burning musical boundaries.
Local line up to be announced shortly…

TICKETS ON SALE Thurs 18th October
Check website for details www.futureentertainment.com.au

NATIONAL DATES

Thursday 29th November Hobart University Bar, Hobart
Saturday 1st December Metro Theatre, Sydney
Thursday 6th December The Met, Brisbane
Friday 7th December Rosemount Hotel, Perth
Saturday 8th December The Forum Theatre, Melbourne


Z-Trip LIVE
Z-Trip is one of the biggest DJs of our time. Doing over 100 shows a year, every year, he is known as the founding father of the mash-up movement, and one of the most important figures in the modern evolution of both turntablism and hip hop production.
The Elements Tour presents Z Trip performing in live mode for the very first time, backed up by live percussion and the stunning MC magic of Soup (J5), this is an Australian first.
Z-Trip's major label debut Shifting Gears was a huge success receiving critical acclaim from fans and media alike. The first single Walking Dead went Top 20 and featured Chester Bennington of Linkin Park. The album also had two Number 1s on the college chart. Listen to the DJ featuring Soup of Jurassic 5 and Shock and Awe featuring Chuck D. He's also a master of the remix, with a stand out re-working of The Jackson 5's I Want You Back on Motown Remixed. Z-Trip can be seen in the movie Scratch (and Scratch Live) alongside Q-Bert, Mix Master Mike and originators of the art form including Afrika Bambaataa and Jazzy Jay.

Soup (from Jurassic 5)
The Elements Tour proudly presents Zaakir, aka Soup, performing solo for the first time ever in Australia. Considered one of the greatest new skool MC’s on earth, Soup appears as a part of Z Trip’s stunning new live show.
Soup found fame as a part of the hip hop crew Jurassic 5 along with rappers Chali 2na, Akil, Mark 7even, and turntable maestros DJ Nu-Mark and DJ Cut Chemist. The group came together from two separate crews in 1993, Rebels of Rhythm and Unity Committee.

Jurassic 5 Discography:
*Jurassic 5 (1 December 1998, Pan Records) * Quality Control (20 June 2000, Interscope Records) *Power In Numbers (8 October 2002, Interscope Records) * Jurassick! (Freestyles and Rarities) (date unknown, Interscope Records) * Pre-Historik Rarities (2003) * Feedback (25 July 2006, Interscope Records) In Australia, a two-disc version of Quality Control was released, the second disc comprising instrumental versions of the album. A second version of Power In Numbers was released, which included a DVD. There is also a vinyl edition of Power In Numbers comprising of instrumental versions of the tracks from the original album.

Soup Appears On:
Family Rap (This Is The Sound) (12") Family Rap (This Is Th... Ubiquity Records 2005 Hit The Floor (CD) Family Rap Ubiquity Records 2005 Hit The Floor (2xLP) Family Rap Ubiquity Records 2005 Listen To The DJ (12") Hollywood Records 2005 Shifting Gears (CD) Listen To The DJ Hollywood Records 2005 Shifting Gears (2xLP) Listen To The DJ Hollywood Records 2005 FabricLive. 26 - The Herbaliser (CD) Family Rap Fabric (London) 2006 FabricLive. 26 - The Herbaliser (Promo) (CD) Family Rap Fabric (London) 2006 Stand Up E.P. (12") Family Rap (Laid Back ... Ubiquity Records 200


Swollen Members
On the strength of their unique sound and a live show that stands without comparison in hip hop, Swollen’s are taking it back to basics building a movement one fan at a time. They have been paying their dues since the 90s when rappers Mad Child and Prevail first joined forces to release a series of critically acclaimed 12 singles on Mad Childs own label Battle Axe Records.

The Rock Steady Crew-affiliated groups debut full-length, Balance hit streets in 1999 to a wave of critical praise. Its dark but aggressive sound combined with Swollen Members reputation for rocking crowds from LA to Tokyo cemented their position in the independent hip hop world.

With the release of their sophomore album Bad Dreams in 2001, Swollen Members saw their music embraced by a widespread audience in Canada. Commercial radio and video airplay fuelled Swollen mania, and accolades and awards piled up, including the Vancouver British Columbia crew winning Juno Awards (Canadian version of a Grammy) three years in a row. Bad Dreams was certified platinum in Canada, Balance went gold, and their third album Monsters in the Closet has also nearly reached platinum status. Producer Rob The Vikings contributions led to him being made an official member as Swollen Members became the best selling hip hop group in Canadian history. Though they spent several years promoting and touring almost exclusively in Canada, with no international promotion their records have sold nearly 500,000 copies worldwide, still through the ever-independent Battle Axe. In the wake of this success, Swollen Members pulled back from the outside world to focus on recording Black Magic. Over two years in the making, the album largely sees the group returning to the dark signature sound they have become synonymous with. A melting pot of introspective lyrics, bookworm intellectualism, aggressive beats and party-rocking jams, the album features collaborations with Ghostface Killah (Wu-Tang Clan), Everlast, Dilated Peoples, Mr. Vegas, Hieroglyphics, The Alchemist, Mix Master Mike, Planet Asia, Phil The Agony, and more. Storming out of hibernation with their sights firmly focused on the United States, Swollen Members are poised to begin an endless barrage of touring, bringing their renowned live show and sound to the masses.

Jungle Brothers (Soundsystem Set)
Jungle Brothers have been around since hip hop's Golden Age, and they continue to adapt creatively to the changing soundscapes of both hip hop and DJ culture. They first appeared on the NYC hip hop scene with the release of the groundbreaking Straight Out The Jungle in 1988. A prototype for later envelope-pushing crews like the Wu-Tang Clan, the Jungle Brothers were among the first groups to aggregate a like-minded posse of fellow rappers (the legendary Native Tongues: De La Soul, A Tribe Called Quest, Black Sheep, and later Mos Def) in which intellect and vocabulary dominated the game. Following up their raw, energetic debut, the group went into the studio with NYC underground club and house producer Todd Terry, and hip house was born. "I'll House You" became a bona fide international hit, making Terry one of the most in-demand remixers to this day. A major label bidding war ensued, and the Jungle Brothers subsequently signed to Warner Bros. Free to sample and manipulate in a more sophisticated setting, the JBs mixed up breaks and beats that recalled the Bronx block parties of their youth, incorporating elements from jazz, soul, and funk classics. The resulting album, Done By The Forces Of Nature, ranks with other masterpieces of the era like the Beastie Boys Paul's Boutique and De La Soul's seminal Three Feet High And Rising. Jaybee’s appear on the Elements Tour in a never before witnessed performance mode – an MC vs DJ sound soundsystem performance, featuring Mike Gee and the group’s original DJ Sammy B. The Jungle Brothers Sound System set features old classics mixed up with brand new material, presented in true ‘Jaybees’ party rocking style.

DJ Format
DJ Format AKA Matt Ford's debut album “Music For The Mature B-Boy” is one of the slowburn success stories of hip hop culture in the 21st century. An album of soulful, funk fuelled hip hop packed with infectious beats and lyrical dexterity, it delivered in spades on the promise of his early releases for Mo' Wax and Bomb Hip Hop. Received with quiet acclaim in the press it quickly became a word of mouth triumph, going on to establish itself as one of the most successful debut artist album’s in UK hip hop/alternative urban/dance scene. The campaign was successful for a number of reasons not least it’s supporting batch of three incredible music video’s all directed by then unknown Ruben Fleischer. The most famous of these will undoubtedly be the rap and breakdancing costumed animals of ‘We Know Something You Don’t Know’ featuring the vocals of Chali 2na and Akil of Jurassic 5 - played out by a shark and tiger respectively on the big screen it is an unforgettable piece of feel good hip hop. “Music For The...” also led to Matt supporting Jurassic 5 on their European tour, and through subsequent touring in 2003 establishing Format & Abdominal as one of the hottest live hip hop tickets in town culminating in triumphant appearances at the Reading & Leeds festivals of 2004 and worldwide touring taking in the whole of Europe, North America and (most recently) Australia. Format's signature b-boy instrumentals, down-tempo sketches and body rocking backdrops are interwoven seamlessly throughout his live sets, simultaneously hooking in both the casual initiate as well as the most hardened crate spotting freak.
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Niche Productions presents:

SOLID GROUND

Featuring:

Ohmega Watts & DJ Manwell (Lightheaded / 4 Days In Geneva USA)
Ladi 6 (NZ)
Mark Pritchard (Troubleman / Warp Records UK)
Thief (Melb)
Russ Dewbury (UK)
DJ Sepalot (Beat Dimensions / Compost GER)

solid ground

Niche Productions are proud to present some of the world’s finest underground artists for a one off showcase of hip-hop, latin, jazz, leftfield beats, funk, soul and beyond. With talent spread over two rooms in an exciting new space fresh to the Sydney faithful this is an essential for the soul music lover’s calendar.

Saturday 24th November - Oxford Art Factory.

Ohmega Watts (Lightheaded / 4 Days In Geneva) debut album The Find, wowed industry and fans with its eclectic blending of energetic old-school rap, rough and rugged beats, and funky instrumental contributions. Hailing from Brooklyn with Jamaican heritage, the MC/producer has cited heroes and influences including Eric B, Rakim, A Tribe Called Quest and Jurassic 5 - heavyweights who cast their shadow over Ohmega's club-thumping hip-hop and soulful jazzy tunes. His all-encompassing influences also take in the likes of Quantic and Stereolab to psychedelic Brazilian rhythms but by and large he produces an honest and multitudinous sound that has industry types describing him as "one of the freshest talents to have emerged out of hip-hop's leftfield in the last five years" (Dazed & Confused, UK).

On the eve of the release of his sophomore album, Watts Happening, which is hyped as continuing to evolve and challenge our expectations of hip hop, Ohmega Watts headlines the Niche Productions Soul Revue which is bound to be an energetic and head-nodding affair.

Ladi 6 is one of New Zealand's premier vocalists and MC's. Gene pool and nepotism aside (her cousin is Scribe), Ladi6 has layed down her heady and soulful vocal stylings for some of the finest Antipodean talents, including Shapeshifter, Fat Freddys Drop & Scribe. A special opportunity to check out her lusty and laid-back beats before her debut solo album, produced by Mu from Fat Freddys Drop, is released.

Mark Pritchard (Troubleman / Warp Records UK) is a DJ/producer who has worked on acclaimed remixes for the likes of A Tribe Called Quest, Lamb and Azymuth. He has a fine reputation for musical stylings that incorporate deep and ambient beats to electro-tinged hip-hop.

Thief aka DJ gsan is a turntablist/producer from Melbourne whose recent EP was an exercise in lavish strings, heavy hip-hop drums, analogue bass lines & down-tempo soul. Beside his production foray, Thief has a solid reputation as one of Australia's premier beats DJs.

Brighton-based Russ Dewbury of the Brighton Jazz Rooms is a notorious heavyweight of the international Soul/Jazz dance music scene & is set to roll out his unique brand of funk, rare groove & sweet soul.

Hip hop and beyond" is the best way to describe Sepalot’s nightly DJ escapades.
With tours throughout Europe from Bordeaux, Zurich to Moscow he also plays as a resident DJ in his hometown Munich. He´s known for taking the crowd on a journey from hip hop, rare grooves to breakbeats and electro music. Besides various remixes and projects like Soundtracks he is currently working on his solo album at compost records.

Supported by local DJs:

Regal
Somatik
Huwston

Saturday 24th November
9pm till very late
Oxford Art Factory, Darlinghurst - Sydney
Tickets available through moshtix outlets, moshtix.com.au & inthemix.com.au

OHMEGA WATTS & DJ MANWELL NATIONAL TOUR DATES
Friday 23rd November - Melbourne – The Espy
Saturday 24th November – Sydney – Oxford Art Factory
Thursday 29th November – Brisbane - Step Inn
Friday 30th November – Perth - The Rosemount
Saturday 1st December – Adelaide - Rockit Bar
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slum village j dilla tribute hip hop concert
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Slum Village have been synonymous with a unique light hearted, yet intelligent hip hop, making their way to our shores this month to educate, enlighten and entertain us with their solid style. On their first Australian tour members Elzhi and T3 will be hitting three Australian cities, showcasing some of their old hits as well as tracks from their recent success, Detroit Deli, plus special tribute to the legend R.I.P J-Dilla.

Many may remember the days of Slum when Jay Dee and T3 rapped about growing up in Detroit, the cars they drove and clothes they wore. This no nonsense approach to hip hop is what gave the group its break in the sometimes flashy world of hip hop. More recently Slum Village have brought a more serious tone to their rhymes, touching on family and faith and the importance of both in their lives.

Through collaborations with urban success stories like Kanye West, Ol’ Dirty Bastard, Dwele & Common, Slum Village has produced their most successful album yet and look forward to introducing this to the Australian audiences.

Sydney
Date: Thursday 18th October 2007
Venue: The Gaelic Club – 64 Devonshire Street, Surry Hills
Doors Open: 8pm
Supports: Foreign Heights, Mr Zux & BOP Crew, DK Kay Z
Tickets Available: www.moshtix.com

Melbourne
Date: Friday 19th October 2007
Venue: The Espy – 11 The Esplanade, St Kilda
Doors open: 9pm
Supports: Diafrix, DJ D-Red, DJ A-Style, Fresh Sox, Hosted by Fevapress
Tickets Available: The Espy, Obese Records, Missing Link, Polyester, www.inthemix.com.au

Adelaide
Date: Saturday 20th October 2007
Venue: Viva Function Room – 9A Light Sq
Doors open: 8pm
Supports: Delta & Staen 1, DJ Sanchez, DJ Nuck
Tickets Available: www.venuetix.com.au, B Sharp, Da Klinic
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bliss n eso bullet and a target featuring the connections zulu choir


All I gotta say is... RESPECT!

Bliss n Eso

Return with their latest single:
“Bullet and a Target”
featuring: The Connections Zulu Choir


Bliss n Eso are back with something truly special this time – a collaboration with the Connections Zulu choir, a 21 piece African Choir from the Valley of a thousand hills in South Africa. And the result? Nothing short of extraordinary!

Affected so much by their life changing trip to South Africa earlier in the year with MTV and the Oaktree Foundation, Bliss n Eso where inspired to record a song for charity, donating 100% of the profits to the funding of projects in developing regions of South Africa in the hope of creating awareness and a brighter future for those in need.

The Story:
Hailing from KwaNyuswa, in the Valley of a Thousand Hills, South Africa comes the Connections Zulu Choir – an inspirational group of teenagers and young adults whose songs tell the story of growing up in South Africa. They live in the epicentre of the worlds HIV/AIDS epidemic (over half their population is infected with HIV) and every day they face the challenges posed by high rates of crime, unemployment, substance abuse and extreme poverty. However, in spite of living in such adverse conditions and without any formal training, the choir's musical talent is undeniably incredible.
It had always been a dream of the choir to be able to travel overseas and share their music with the world. Thanks to The Oaktree Foundation, that dream became a reality. In June 2007, the Connections Zulu Choir journeyed to Australia for an amazing three-week music tour. During the tour the choir managed to get together with BNE at Jimmy Barnes' home studio in Sydney and, after a hectic four hour recording session, the foundations for Bullet And A target were laid.

The Cause:

100% of all profits from the sale of this track will go to The Oaktree Foundation, Australia's only youth-run international aid and development organisation. The money will then be channelled through to the Connections Zulu Choir and the funding of other projects in developing regions of South Africa in the hope of creating awareness and a brighter future for those in need.
For more info on the Schools 4 Schools program please check out www.schools4schools.org

" When I saw the video of the Connections Zulu Choir singing I realised that this was really something special… As a singer, and as a human, this was something I really wanted to be a part of."
– Jimmy Barnes

" Going over to South Africa really gave us a sense of reality - It's one thing to read about Africa, or to see the ads on TV but actually being there is something totally different. It's incredibly rewarding to know that I've been a part of something that has the potential to not only create awareness but also to really make a difference."
- MC Bliss

Bullet And A Target Hits Stores October 27

Request Bullet and a Target on radio here:

Nova Melbourne

Nova Sydney

Triple J

Bliss N Eso - Bullet And A Target - Feat: Connections Zulu Choir

Add to My Profile | More Videos
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Welcome to crate digging!

September 29th 2007 12:21
For a long time I've wanted to really explore music and its history; where a song comes from, what sample does it use, what are the old school greats that kids should listen to and pay their respects, and so on. Actually it's one of the reasons I started this Hip Hop blog, and it's taken me a year and a half to finally get something going on besides all the news and rumours that come and go, the tours and competitions and whatever else I post up here.

So let's bring it back to the music.

I'm talking old school and new school, Motown to Dirty South, gangsta rap to funky soul and much more. Let's start digging through those crates...
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I thought 50 cent would quit

September 20th 2007 13:31
50 cent kanye west graduation curtis
Kanye vs. Fiddy


He doesn't get it. Jay Z claims that the difference between Kanye and 50 is that the victor focused on the art, on creating good music while the chump change was more commercial in his approach, focusing on numbers and sales.

"Graduation" sold 957,000, while "Curtis" only had 691,000 fans in the US. I couldn't give a comparative analysis or review because I wouldn't even bother downloading 50's stuff. Would he keep his word, claiming he would quit the game if Kanye sold more albums than him? Maybe. But only in terms of rapping (if that's what you can call it). He's a businessman, he's got other stuff he can focus on. Cancelling his European tour recently as well as some performances in London (one of which was an awards ceremony where Kanye won Best Hip Hop act), it seems like it may be going in that direction.

Fiddy told MTV.com: "I feel like Kanye West is successful because of me," he said. "After 50 Cent, [hip-hop fans] was looking for something non-confrontational, and they went after first thing that came along. That was Kanye West, and his record took off."

Right. Maybe they were just looking for something better?

Look, I'm not hating so much on 50 as a person because I don't know him. He seems like a smart guy, he's probably better off focusing on the business side of things rather than the art. I'm not a huge fan of Kanye either, I'd like to see him do more original stuff rather than doing the obvious copy and paste with the samples in virtually all his tracks.
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brad strut offical the legend australian national tour
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it’s official! The Triple J Hip Hop Show, Unkut Recordings and Shogun Distribution are excited to announce Brad Strut’s much anticipated Legend: Official National Tour. Since its release in June this year, the sophomore solo album from the menacing Melbourne lyricist has become one of the most praised Australian hip hop records ever, and fans have clamoured for its sinister sounds to be brought to the stage. Now, Brad Strut returns from destroying shows in Europe and the UK to blow away venues across Australia with the exemplary flow and wordplay of Legend: Official.

Backed up by DJ Big Zed, who executed the searing scratches on Legend: Official, Brad’s murderous metaphors will storm the state capitals, Canberra, Cairns, Townsville, Byron Bay, Geelong and Phillip Island. Album producer and fellow Lyrical Commission icon Trem will appear on all Victorian shows, and the Melbourne date will be capped off by Bob Balans, making for the first on-stage appearance of the Commission in almost two years. Rounding out the bill in each city will be the best local MCs and DJs, along with special interstate guests for several dates.

Brad’s live shows are already legendary, as anyone who witnessed his sold out east coast dates in early 2006 can testify. Now, with performances at Hip Hop Kemp (Czech Republic) and The Edinburgh Festival under his belt, Brad is bringing home his finely tuned stage show of devastating lyrical assaults. The Legend: Official National Tour will be the essential Australian hip hop show of the year – don’t miss out! For ticket information visit Ozhiphop.com forums.

Brad Strut - Monopoly



Praise for Legend: Official

"What Aussie hip hop should sound like: a finely tuned one-man pub brawl. Local hip hop release of the year thus far." - The Age, Melbourne

“Strut moves from good to great when he embraces history and his sharp tongue.” – Rolling Stone

"Strut's wordplay and flow are exemplary." - MAG / musicaustraliaguide.com

"An amazing leap forward in all respects. A depth of character that many new emcees should take note of when writing their own lyrics." - 3D World, Sydney

"If I saw this album coming toward me on a train I would avoid eye contact, because it might just kick the crap through me." - TheDwarf.com.au

"The sharpest lyrical offering of the year so far. No weak points." - Onion magazine, SA

"Urgent and on edge. An intensely personal album." - Xpress magazine, WA
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Snoop digs Amy Winehouse and goes solo

September 1st 2007 12:35
Snoop solo ego trippin
Snoop is going solo on his next album Ego Trippin' because he doesn't need "no guest rappers, no singer, nothing. Just Snoop Dogg." Inspired by the non-rehabilitating and eccentric Amy Winehouse, Snoop just wants his fans to get to know him intimately. Armed with hitmaker Pharrell, this should be an interesting LP, more so than if he were to collaborate with Gwen Stefani or Fergie.

"When you listen to James Brown, he did it by himself. Curtis Mayfield, by himself. Of course they did collaborations, but the [songs] that matter they did by themselves. I don’t think people have got all of me yet. Doggystyle was about 95 percent of me. But I wanted Tha Dogg Pound on my album. This record, even if this record don’t sell, that might be a blessing. It needs to get back to [letting people know] who you are. I don’t know whose record I’m buying right now because it’s so many people on it. Is it a compilation? What is it?”

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Mixtape: Stan Bravo - Get Accustomed

September 1st 2007 12:11
stan bravo get accustomed mixtape


If you have not already seen him supporting artists like Busta Rhymes, Nelly, Ja Rule, Ashanti and Jin. Or if you have not yet caught him making cameos for Ricki Lee, J-Wess, Camielle or Nino Brown. Then it is time to get acquainted. Allow me to formally introduce you to dear friend ours and a smashing fellow, the right honourable Stan Bravo Esquire. He has put together a new mixtape/album to help us all get to know each other a bit better. It is called Get Accustomed and it is mixed by DJ Peter Gunz.

Download the Split Track version HERE

Or the continuous one track version HERE

You started writing from a young age. You won a few literacy awards as a kiddie. Can you tell us in particular what sort of things you wrote? What was the subject matter of your writing back then?

I used to write a lot of poems and short stories when I was younger. I remember one time I was about 12 and I was going to a real conservative catholic school and I wrote this poem called "why" and in the poem I was talking about issues like prostitution, Drug Dealing, and a lot other f**ked things that were going on in my community. The teacher loved it and wanted to give me an A but the principal told her not too because of the "content". But my teacher loved it so much she entered it in this writing competition and I won. So even as a shorty the content in my writing has always been based on reality as I see it.

Later on you switched to writing rap lyrics. Can you remember your first rhymes what were they like?
Wack! Real corny! I was just saying anything back then trying to make the words rhyme. I had no direction. I didn't know what a 16 was or how to write a hook, so all my songs were just long ass rhymes.

Growing up in Harlem what was the most mischief you got up to as a youngster?
No comment! My momma might be reading this. I love you mom. Seriously though back then I really didn't get into too much BS. Firstly my mother is Haitian and anybody that's ever had a Haitian mother or known somebody with a Haitian mother knows her child knows what's right and what's wrong. I’m not saying I was an angel but lets just say I feared my mother more than my friends.

Now for the last 7 years you have been living in Australia, repping Blacktown to the fullest. What influence has Blacktown and just Australia in general had on your music ?
I love Blacktown. Shout out too all my b-town residents. Blacktown's the hood. And Hip Hop music was born in the hood so what better place for a rapper to be than the hood? You feel what I'm saying too you? See when your a rapper what you are effectively is a mirror to your world. So when you hear my records you're hearing Blacktown. You're hearing Harlem. You're hearing Australia or America because I've always been greatly influenced by my surroundings.

Now your track "I Can't Let You Go" has been getting some airplay on the Edge. Is this track inspired by anybody in particular?
Yeah she knows who she is. I don't wanna put her on Front Street, but she inspires a lot of my girly songs.

You talk about an intimate evening in this track. What is the most romantic thing that you have done for a lady friend?

To be honest I'm not a real romantic sort a dude. I mean I do little things to my girl to let her know I appreciate her like cook dinner for her or randomly call her to say I love you or I thinking of you. Things like that.

So you have been on quite a few tours including the infamous Ja Rule tour and the Busta Rhymes tour. Can you confirm or deny all the rumours going around about these two artists on these tours?
What rumours you talking about? Am I in them?

stan bravo
Stan the Man
Do you have any interesting backstage stories of your own?
Aight one time backstage on the Nelly tour me and the guys I went on tour with got into a real heated argument and I ended kinda trashing our dressing room. Michael Coppell walked in and told me off. He was like Stan what are you bloody doing? This isn't an 80's rock concert.

So what can we expect from you next?
Well I have a street album/mixtape I put out for free, just for the fans and haters. It's called Get Accustomed vol 1 mixed by the legendary Dj Gunz. The tape to me is some of my best work to date and for anybody that has ever bought a Gunz mixtape you know the guy is serious. So if you're not yet accustomed to the hottest mixtape out right now. You need to get accustomed by downloading it here.
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This marks the 2nd time Earl Simmons has been linked to cruelty to animals. In 2002, X pleaded guilty to animal cruelty in New Jersey for reportedly neglecting 13 pit bulls.

I am sickened by the unspeakable, horrendous and cold-blooded behavior that took place in Earl Simmons home. Is not HIS responsibility to ensure his animals are properly cared for? I am shocked that the PHOENIX (Reuters)- Maricopa County Sheriff, Capt. Paul Chagolla has not issued a warrant for his arrest. Regardless if he was home or not the suffering animals were in his home dying and buried in his yard.
ANY EXCUSE is TOTAL Bullcrap! A sick and unfeeling person would leave his vulnerable animals and not attest to their well being?

How many people leave their pets for months and not know they are dead or dying?
HULLO? How could he NOT Know?

Trespasser
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MF Doom has been making some serious moves in the Hip Hop industry lately. The iron masked, metal fingered villain has kept his hands busyin a lot of things, from his Mm.. Food? Album release and re-release, becoming enough of a hip hop icon that Nike decided to create some official MF Doom High Top Dunks (These shoes are crazy!), and performing at the mighty Rock The Bells concert along with such acts as Common and The reunited Wu-Tang Clan.

The initial release of the Mm.. Food? album was followed by an album tour that also doubled as a food drive for the homeless, garnering enough attention and praise on the album to warrant a re-release. The re-release includes a DVD composed of performances and highlights from the Mm.. Food? Tour.

Mm. Food? carries the theme of edibles in the album's track names, such as the songs Beef Rapp, Hoe Cakes, Fillet-o-rapper & Kookies. Doom produces almost the entire album, and collaborates with artists such as Count Bass D, Angelika, 4ize & Mr. Fantastik. When listening to this album, expect heavy sampling of the Fantastic 4 Cartoon series sound clips, as MF Doom lives up to his name and samples many conversations from episodes concerning the good Dr. Doom.

MF doom's album is a perfect example of what doom represents, and that is experimental hip hop. Doom's voice and production is raw and gritty suiting the flavour of his production on this album. Also, without sacrificing any of the feeling of his shady, menacing, sample heavy beats, his rhymes create a feeling that Doom is a serious character to deal with, but you can be sure he won't take himself too seriously. I mean the guy does live shows in a Dr. Doom/Gladiator fashioned mask. If you haven't heard MF Doom before I'd say you should picture Jadakiss minus the thuggery, throw a bit of Ghostface's wacky sense of humour in there, and a style combining CL Smooth & Chali 2na's presence. However, Doom doesn't sound like any of those guys on their own, and he manages to create a new image for himself. I think the iron mask does wonders for your individuality.

Admittedly, the album didn't grab me at first, and It took multiple listens for it to grow on me. But like most accquired tastes, once you begin liking it you'll defend it viciously. Mm.. Food, for those of you that haven't heard the initial release, is one strange experiment of a hip hop album, but is an admittedly successful experiment. Get your hands on the re-release with the DVD of the promo tour, and watch Doom in his iron-masked persona performing onstage across the States.

4/5 - All hail doom!
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50 cent bullets interview

One of the more interesting interviews I've read in a while was SPIN.com's chat with Curtis "50 cent" Jackson earlier this month. The reporter's smart comments were shielded and reflected so well that you begin to realise just how smart 50 really is. Politically savvy, an intelligent businessman with the balls to tell it like it is (when it comes to subjects other than him); however, interviewer

Fiddy denies he's a role model but strongly believes he's "inspiring to people". The interviewer challenges his claims of using guns and being shot, and asks how 50 can rap about being in the streets when he's living in a mansion. 50 credits all the bad things to happen in life to his mom's passing:

To me, after my mom passed, everything, literally, that went wrong, went wrong because she wasn't there. If I wanted to go to the park, and it would start drizzling, it was happening because my mom wasn't there -- because everything good came from her.

... to which the reporter replied, "But she was a drug dealer?"

Gold.

When the Don Imus incident came up, 50 was quick to divert the attention from himself and Hip Hop and label it as a racial issue. He made ridiculous statements dissing underground rapper Ghostface, and equated popularity (measured in albums sold) with talent -

You're actually hurting the art form, if your music isn't urgent enough to drive people to buy it, you're hurting the art form. You're just another shitty release on the schedule.

Fiddy also spoke out on Oprah's catering to the 'white women' crowds to which the interviewer remarked:

But isn't the majority of your audience white kids? Aren't you thinking about them when you're making a record?

I think I really like that SPIN guy...

Read the whole interview HERE.
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KRS-One's son commits suicide

July 11th 2007 03:58
The title sounds harsh to me but I can't think of any other way to put it. It's always tragic when you hear of events like these, and my condolences go out to the family and friends who are affected by this tragedy. I couldn't find any pictures of him, all articles had either none or one up of KRS-One (real name Lawrence Parker).

Randy Hubbard Parker, 23, son of KRS-One was found in his Atlanta apartment last Friday, 6th July from a gunshot wound to the head, authorities stated. Simone Parker, KRS-One's wife and Randy's mother, released in a public statement that her son's death was due to his long-time battle with "severe depression".

There will be a private memorial held in Florida on July 18, which would have been Parker's 24th birthday. Rest in peace.

Well I guess I'm out on my own
With this condition it won't be long
Before for sure my little sanity's gone
I'm livin off of nuttin, losin my home
Kids in the street, wife alone
I want to sell this very microphone
But then my friend the light was shown
It came through my inner cellular phone
Get up and get out my spirit will shout
Commitment is what love is really about
No down and no out, just up and about
I think I'm gonna take the spiritual route
Then I woke up....

KRS-One - Woke Up


krs-one
KRS-One
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keith murray nobody do it better
Keith Murray's new track, Nobody Do It Better featuring Tyrese & Junior is his first single off Rap-Murr-Phobia (Fear Of Real Hip-Hop) through KOCH Records. The long-awaited album after over 4 years of drama in Murray's professional life since his last album (he had a punch up with two employees from his former label Def Jam) will also feature his Def Squad colleagues Erick Sermon and Redman, scheduled to be released on July 31st.

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jean grae chicken noodle soup

The South African MC jean-ius makes fun of modern popular rappers by going 50 IQ points lower in this freestyle spoof over a Chicken Noodle Soup beat. Remember that crazy song and dance that got everyone including Chris Brown hooked? It was later replaced by the Aunt Jackie craze.

Catch her on Talib Kweli's new album Eardrum, dropping this July/August.

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guru jazzmatazz volume 4 hip hop jazz messenger


Mmm I like this funky, jazzy and soulful Hip Hop.

Reviewed by Cibby:

Guru’s Jazzmatazz brings volume four out to the block, ready to drop the needle on the hip hop-jazz fusion genre. The full title of the album is actually Guru’s Jazzmatazz Volume 4: The Hip Hop Jazz Messenger: Back to the Future.

Whew! Long winded, isn’t it? Like his title, Guru’s fourth addition to the Jazzmatazz collection plays out over 16 tracks, featuring guests on nearly every song, leaving your stereo feeling tired and breathless.

I’m weak – I can’t help but like the hip hop jazz thing. It’s easy listening for music reviewers, and the Solar production is soft enough to fly under my easily-irritated radar. The first time through, the CD sounded great, and a glowing review oozed from my fingertips.

I’m listening through it for a fourth time, and it’s beginning to grate on my frazzled nerves a little, especially some of the reggae-flavoured hooks. And while I never get tired of piano tinkles on a loose beat, it sounds reminiscent of something I faintly remembered before. Can I recommend this album? I’m ten seconds away from melting it with my lighter, but, unfortunately, it’s all out of fluid.

Nah, it’s alright…while not as solid as the first or second Jazzmatazz, the fourth album in the series bring more of the same Guru sound, and you’ll definitely appreciate the subtle horn samples coming in overtop. Best played in a convertible on a warm spring morning.

Rating: 3 out of 5 stars
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Nas can't forget about you video
Nas
I've been digging this track for a while. From the rich lyrics dripping with hints of Hip Hop history to the catchy soulful chorus sung by Chrisette Michele that samples Nat King Cole's "Unforgettable" classic in this Will.I.Am produced track, Nas' "Can't Forget About You" is reminiscent of the good old days and has been promoted to one of my main ringtones.

Peep the vid:



Lyrics:

[Nas- Verse One]

There comes a day in your life
When you want to kick back
Straw hat on the porch
When you old perhaps
Want to gather your thoughts
Have a cold one, Brag
To your grand kids on how life is golden
So I’ma light a cigar in the corridor of the crib
Pictures on the wall of all the things that I did
All the money and fame, 8 by 10’s
Of the whole rap pack inside of a big frame
Colliding with big names that could’ve made you career stop
All that, and your man is still here, and I’m still hot
Wow, I need a moment ya’ll, See I almost felt a tear drop

When was the last time you heard real anthem?
Nas, the millionaire, the mansion
When was the last time you heard your boy Nas rhyme?
Never on schedule, but always on time.

[Chorus- Chrisette Michele]
These streets hold my deepest days
This hood taught me golden ways
Made me (truly this is what made me)
Break me (not a things gonna break me)
These streets hold my deepest days
This hood taught me golden ways
Made me (truly this is what made me)
Break me (not a things gonna break me)
Oh, I’m that history, I’m that block
I’m that lifestyle, I’m that that spot
I’m that kid by the number spot
That’s my past that made me hot
Here’s my lifelong anthem
Can’t forget about you (Can’t forget about you)

[Verse Two]

Can’t forget about the old school
Bam, Cas, Mel lie Mel flash,
Rocks steady spinning on they back
Can’t forget when the first rap Grammy when to Jazzy
Fresh Prince, Fat Boys broke up,
Rap hasnt been the same since
So irregular, how it mess you up when Mr. T became a wrestler
Can’t forget about Jordan’s retirement
The shot Robert Horry hit to win the game in the finals kid
Some things are forever, some things are not
It’s the things we remember that gave the world shock
They stay in a place in your mind so snug
Like who the person was with whom you first made love

When was the last time you heard real anthem?
Nas, the millionaire, the mansion
When was the last time you heard your boy Nas rhyme?
Never on schedule, but always on time.

[Chorus]

These streets hold my deepest days
This hood taught me golden ways
Made me (truly this is what made me)
Break me (not a things gonna break me)
These streets hold my deepest days
This hood taught me golden ways
Made me (truly this is what made me)
Break me (not a things gonna break me)
Oh, I’m that history, I’m that block
I’m that lifestyle, I’m that spot
I’m that kid by the number spot
That’s my past that made me hot
Here’s my lifelong anthem
Can’t forget about you (Can’t forget about you)

[Verse Three]

Unforgettable, UnSubmittable I go by N now, just one syllable
It’s the N cuz' the game tied is the same vibe
Good times had right after James died
That’s why the gangsta rhymers ain’t inspired
Heinous crimes help records sells more than creative lines
And I don’t want to keep bringing up the greater times
But I’m dreamer nostalgic with the state of mind
The past the past, enough of it aight then
Nothing gives me chills like Douglas and Tyson
Or Mike when his talk was live
Or when he first did the moon walk on Motown's 25

When was the last time you heard real anthem?
Nas, the millionaire, the mansion
When was the last time you heard your boy Nas rhyme?
Never on schedule, but always on time.

These streets hold my deepest days
This hood taught me golden ways
Made me (truly this is what made me)
Break me (not a things gonna break me)
These streets hold my deepest days
This hood taught me golden ways
Made me (truly this is what made me)
Break me (not a things gonna break me)

That's why darling it's incredible
That someone so unforgettable
Thinks that I'm unforgettable too
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This event is 9 months in the making by Alex Proimos. Two-thirds of Washington D.C.'s Low Budget Collective, Oddisee and Kev Brown are hitting Aussie shores this September. Chilled, jazzy Hip Hop is a refreshing break from all the crunk junk and crap hop out these days in the mainstream. I'm not completely dissing the commercial, I like it too sometimes and am always on the lookout for the freshest beat to dance to, but if you're at work and sneaking in headphones or cruising in your moms car, these guys should be on your playlist.

Now I know some other sites are against putting up press releases and would rather write up their version but hey, those writing the press releases worked hard and might like their work shown on a prominent website like Hiphop.org.au

You can download six tracks HERE made available exclusively as part of their Australian Tour. Interviews and giveaways to come later!

oddisee and kev brown australia tour manning bar sydney university
Click to enlarge

Since their early production on DJ Jazzy Jeff's “The Magnificent” till now Oddisee (Halftooth Records) and Kev Brown (Up Above Records) infused us with their chilled melodic almost cosmic beats and jazzy chords. Whether its via their production and/or features these two have attracted listeners keen to hear the sounds and lyrics reminiscent of the classics from Gang Starr, Pete Rock / CL Smooth, J. Dilla, The Roots, Slum Village and DJ Premier.

Hailing from Washington D.C. and as part of the Low Budget collective, Oddisee and Kev Brown, leave their mark by taking us back to the days when hip-hop was in the goldern era. From their collaborations with DJ Jazzy Jeff, Talib Kweli, J-Live, De La Soul, Raheem Devaughn, Wordsworth, Kenn Starr, Asheru and Little Brother, its clear that Oddisee and Kev Brown are taking us back to the hip-hop roots and progressively introducing the entire hip-hop community to a fresh and innovative style that has universal appeal.

Only through a lack of publicity and promotion have Oddisee and Kev Brown remained hidden underground for so long, although Oddisee’s production on Wordsworth’s “Mirror Music” and Kev Brown’s remix of Jay Z’s “The Black Album”, entitled “The Brown Album” garnished them an early instant respect and a worldwide buzz. Rather than seek to parade in the spotlight these two maestros would happily sit back in the shadows and let their music speak to the masses, which has certainly been the case in their respective recent highly acclaimed/borderline classic studio albums, “Foot in the Door” by Oddisee and “I Do What I Do” by Kev Brown.

For the first time Oddisee and Kev Brown will make the long journey to captivate an Australian audience by performing a two hour live show at The University of Sydney’s Manning Bar, September 5th 2007, with the support of fellow Australian producer/DJ M Phazes.
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krs one marley marl hip hop lives review

If you haven't copped this album or heard the track "Hip Hop Lives (I Come Back)" from these two great Hip Hop philosophers, then check it.

"Hip means to know
It's a form of intelligence
To be hip is to be up-date and relevant
Hop is a form of movement
You can't just observe a hop
You got to hop up and do it
Hip and Hop is more than music
Hip is the knowledge
Hop is the movement
Hip and Hop is intelligent movement"



I thought I'd add in Cibby's review of the album:

Hip Hop Lives is the album that fans have been eagerly awaiting for 20 years now… it marks the end of one of the earliest hip hop beefs around, between KRS-One and Marley Marl. Critics were sniffing out the potential of this album back in the day, but, now, in 2007, Marl and The Teacha have finally let old habits die and collaborated.

It’s a response, apparently, to Nas’ album, Hip Hop is Dead, and several tracks on the album suggest that KRS-One wants to push it back to the good spot. The G-Thang Spot, if you will.

But I felt that this album is a more paternalistic record from these two… KRS-One lays it down in ‘I Was There’, essentially pointing out to all the young rappers out there, fronting and perpetrating, that him and Marley Marl were getting it all started, back in the day.

And on that note, it feels a little too preachy at times… KRS never fails to shine on mic, with that deep, monstrous voice, and rhymes that feel so established that it’s like they’ve been extracted from some ancient Nubian texts. While he may have the credentials to lecture us to death, is that what you really want to listen to?

Eh, I can forgive a little bit of angry-father from The Teacha to get a head full of those Marley beats… reminds me of that old Juice Crew stuff, with a darker, more ominous tone. It’s all good, though, and, thankfully, the skits are kept down to an absolute minimum, and are easily skipped on the CD.

It took a long time for the feud to be settled, but KRS and Marl have finally put out this album… years too late, several pounds too far, and at a time when them young kids in the club are going ‘KRS-Who?’… nonetheless, it’s an album that deserves praise for its sheer craftsmanship, like watching a old, gnarled carpenter making a beautiful chair out of maple.

Rating: 3.5 out of 5 stars
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Roc Tha Block 3: All Star line up
Roc Tha Block 3: All Star line up


What a line up. You rarely see a line up like this in Australia. Personally I'm not a fan of Akon's and I was surprised to hear that Naughty by Nature were his support act, because I grew up on Hip Hop Hooray, Holiday, Jamboree and OPP to name a few. But Akon is B.I.G right now, and still has many fans worldwide despite THAT incident with the Pastor's under-aged daughter in Trinidad and Tobago.

Then add The Game, Juelz Santana and MiMS Pitbull & Sisqo to the line up and that's a jam packed show, along with a few other local support acts, one of which will be Israel, my contacts tell me.

Last year Roc Tha Block delivered ALL artists - Jay Z, Ne-Yo and Rihanna, which is an incredible line up, so this year should run just as well.

Beware of all the supposed "after parties" where these artists will be appearing, and to get the REAL info, keep checking hiphop.org.au.

Hurry, tickets are running out fast! Tickets from Ticketek and Ticketmaster for the Sydney show.

MELBOURNE
SATURDAY 11 AUGUST
VODAFONE ARENA

SYDNEY
SUNDAY 12 31st AUGUST
SYDNEY ENTERTAINMENT CENTRE

ADELAIDE
MONDAY 13 AUGUST
ADELAIDE ENTERTAINMENT CENTRE

roc tha block akon the game juelz santana mims naughty by nature
Click to enlarge
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shantan wantan ichiban stolen records sunsets fbi 94.5
Vote or Die!


So I'm biased. It's not just because I work with ShantanWantanIchiban that I'm helping him in his campaign to dump toxic radio and vote for his Hip Hop radio show, Stolen Records on Sunsets at FBi 94.5FM (Sydney). It's because I dig the music he plays (well majority of it) but most of all, I like his local and international celebrity and lesser known guests coming into the studio and ripping live solo or battle freestyles, talking about random topics and what not. What really entertains me are the cheap shots, defensive comebacks and outrageous claims.

Shantan Wantan Ichiban Stolen Records on Sunsets Fbi 94.5FM
Shantan Wantan Ichiban: Dump Toxic Radio!!!
Campaigning against cardigans and wack music, SWI insists on dropping records from all kinds of Hip Hop-related or influenced genres, from many different countries. It's good to see a lot of local artists being given exposure on this volunteer-based not-for-profit radio station, who really minimise on the amount of ads they play; to show my support and enthusiasm for this, I signed up as a passionate supporter during their fundraising drive. I turned down the free tickets to 13th Son's show as I had plans for that night, and a free cd which I have access to at work but instead, requested that guest MC NickKnowledge, a friend of mine from good ol' UNSW spit in German about man-boobs. Sorry Nick, that was a tough one, and I would've struggled too.

So to keep this guy on air, keep the great music flowing with all his awesome guests, foghorns and BRAAAAppp BRAAAApppping, vote for Stolen Records at www.urbanmusicawards.com.au. Just look at that e-flyer! Now isn't that enough to sway your vote? To get to know Shantan, listen in on Wednesdays, 6-8pm EST or stream it from the FBi website.
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Only ONE more week people until voting for the 2007 UMAs are closed. Last year the event copped a lot of flack for having really surprising results and IMO, it was a reflection of the lack of reach the UMAs 2006 had. It's funny how people refuse to vote and boycott the Awards, then complain about the results... why do they contribute their opinions at the wrong time? It happens all the time when public voting is concerned.

So take the time to vote if you're really passionate about the industry, music and scene and show your support for the people who you think deserve the recognition. Go to www.urbanmusicawards.com.au and be heard! Oh and for Hiphop.org.au readers, you can win a double pass to the event! Just check the Competitions forum for more details.

Just a note to all the people (there's only a few) who have been having trouble voting and all that jazz, please make sure you click on the verification link in the confirmation email which could possibly end up in your Junk Mail inbox before you start voting, otherwise you can't vote! And to the people who are claiming that its rigged, I am telling you that it is definitely NOT and stop passing judgment so easily.

rhinos urban music awards 2007 win tickets double passes


The Australian and New Zealand Urban Music Awards are back for the second year at Sydney’s iconic, Luna Park on August 14. The awards are shaping up to be one of the hottest nights on the calendar with loads of local and international artists scheduled to attend. The awards night will be held in association with major naming rights sponsor rhino’s energy drink and will also include support from international label, Marc Ecko watches and Xbox 360.

Nominations for these highly anticipated awards include the following nominees: Best Female Artist Jade McRae, Best R&B single ‘5 days of rain’ from Deni Hines and Best New Talent includes New Zealand’s Tyree. The nominees also feature winners from last year’s awards who are hoping to clean up again, the Hilltop Hoods who are nominated for Best Hip-Hop group and Figgkidd who is up for Best Male Artist.

The UMAs are proud to announce a major international sponsor, rhino’s energy drink, who will be the naming rights sponsor of the 2007 UMA’s. rhino’s have a long standing relationship with the Hip-Hop and R&B music scene around the world and see the UMA’s as the perfect alignment for their brand.

The rhino’s Urban Music Awards will be presented by Australia’s Number 1 Saturday Music TV show Eclipse Music TV. The event encompasses the genres of Hip-Hop, R&B and acknowledges both Australian and New Zealand urban artists who are making their mark in this growing industry. The 2007 rhino’s UMA’s have returned to Sydney with a brand new structure, great new venue and completely revised voting system.

‘The result will be a tighter, more dynamic event treated more as a theatrical production than a concert.’ Jade Harley- Event Producer.
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Xzibit calls Rove racist

June 27th 2007 05:51
xzibit
The pimp ridin' X
Long story short, Xzibit had supposedly agreed to appear on Rove Live with Michael Buble but pulled out because of 'a simple misunderstanding on Xzibit’s behalf', says a Channel 10 representative.

The Pimp My Ride host was apparently told by a production crew member: “you know we came a long way just having you on the program” to which he too offense, then “went out the front door hopped in my sh*t and rolled out”, he says on his blog titled “Rove the Racist”. Later he added, "maybe Rove isnt a racist, Just ignorant to what his staff is doing in his behalf." Maybe...

It would have been good to see X on the Rove show, though I don't watch it, I would have turned to [insert video site here] a week or so later to check out the footage.

Oh well I'm seeing him tomorrow night.

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Ken Hell Truck

Damn. That's what I thought when I heard Ken Hell's latest track TRUCK! produced by Byron Bay babe (haha) Styalz Fuego. No doubt this damn catchy track will reach out to the more commercial crowd in Oz but can they take the aussie accent? I'll admit this is the first I've seen and heard of this fusion of cultures and styles and I'm digging the beat HARD (especially 'cause I'm a dancer and Bay Area is my favourite style). I don't know if this song will break through the cynical and fickle crowds and if you don't feel it well cool, but if you do, show your support and request airtime for Hell's TRUCK! No, it ain't Truck, its TRUCK!

I don't know what it means either

Brave move, a lotta haters probably already expressed their thoughts...

Here's the vid. TRUCK!

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I only found out about this film last night after I watched Planet Bboy. It's so great to see two Hip Hop documentaries included in the Sydney Film Festival, especially one that's homegrown.

Words From the City wire MC sydney film festival

Word up! From multi award-winning Adelaide dwellers Hilltop Hoods, through story-teller Fijian/Australian MC Trey from Sydney's outer west, to the snappy politics of inner-Melbourne's TZU, this evocative documentary explores the energetic and vibrant culture of Australian hip-hop. Focusing on the verbal and lyrical virtuosity of the performers - including Wire MC, Downsyde, Layla, Koolism, Bliss'n'Eso and Maya Jupiter - the filmmakers match the vernacular they document with a smart visual style. Travelling across the country over a long hot summer, capturing the MCs at festivals, gigs, recordings, and just hanging out, the film is infused with a great sense of place, and a distinctly Australian combination of casualness and urgency. Not just for fans of Hip Hop (who will love it!), this film is for anyone with an interest in the vitality of language, politics and attitude.

Words From the City wire MC sydney film festival
Wire MC (right) at home in Redfern, Sydney, NSW


WORDS FROM THE CITY, a feature documentary about hip hop in Australia directed by Natasha Gadd and Rhys Graham, will be screening at the Sydney Film Festival this Friday, 22nd June 2007 followed by the official after party, WORD UP at the Metro Theatre, George Street, featuring local artists Bliss N Eso, Foreign Heights and Wire MC.

For tickets, go to Ticketmaster (or ph: 136 100) or online via the Sydney Film Festival site & search for WORDS FROM THE CITY and WORD UP.

Check out the official WORDS FROM THE CITY website for clips and more info.
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che fu east coast australia tour

CHE FU HITS AUSTRALIA’S EAST COAST FOR LONG AWAITED TOUR JUNE 07]
NZ Hip Hop & Reggae Pioneer Che-Fu will cross the ditch for his first East Coast Australian tour June 21st – 24th.

WIN tickets to see Che Fu on his Australian East Coast Tour! Check the Competitions forum for more details.


With the recent popularity of New Zealand Hip Hop & Reggae artists on the Australasian music scene & throughout the world, the east coast of Australia will get their first chance to see where it all began. Che will play:

Cesars Brisbane June 21st
Cooly Hotel Gold Coast June 22nd
Great Northern Byron Bay June 23rd
SOLBAR Coolum June 24th


…before continuing his tour into NSW and beyond. Hitting the NZ music scene as front man for multi-platinum funk rock group “SuperGroove”, it was only a week after breaking up that Che was back at Number 1 with his first single “Chains”. With countless # 1’s & top tens since including “Fade away” & Apra Scroll winning “Misty Frequencies” as well as Multi-platinum albums “2b.s.pacific,& “Navigator”, Che has solidified his place in NZ music history as one of it’s leading male vocalists. Bringing a unique blend of Hip Hop beats, with Rastafarian reggae influences, it is the soulful vocals that have earned most acclaim and make Che’s sound world class. Along for the tour Che brings fellow “Villajahz”: Mc Hazaduz, DJ Furious, and special guest – former NZ DMC Champion CXL, beautifully filling the shoes of P-Money since pursuing his own solo career.

Tickets available from oztix.com.au

che fu east coast australia tour
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Che Fu East Coast Tour

May 31st 2007 05:10
NZ Hip Hop Icon Che-Fu will tour the East Coast June 21st - June 24th 2007

CHE FU hits Australia's east coast for a long awaited tour June 07. A unique blend of Hip Hop beats, with Rastafarian reggae influences, it is the soulful vocals that have earned most acclaim and make Che-Fu's sound world class.

Front man for multi platinum group 'Supergroove' in the mid 90's. Che then went on to become one of NZ's most successful male vocalists with again multi platinum albums in '2b S.Pacific' and 'Navigator'. Che has recently released "Beneath the Radar' and 'Hi-Score' - 'The Best of Che Fu' adding to his impressive body of work.

Che will play Cesars Brisbane 21st June, Cooly Hotel Gold Coast 22nd June, Great Northern Hotel Byron Bay 23rd June, Solbar Coolum 24th June. Tickets can be purchased at www.oztix.com.au or text your name to 0423 321 863 or email name to vg@verygood.com.au to win free tickets.
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Urban Prophetz Entertainment & Power Music Presents...

URBAN OVERLOAD HIP HOP/RNB TALENT COMP 2007

OFFICIAL CALLOUT FOR ENTRIES:

WHEN: 22nd June (Only 3 Weeks Away!)
TIME: from 9pm
WHERE: Sydney City RSL (Level 3, George St, Syd City)
COST: Free to Enter Competition


Prizes for each category (Hip Hop & RnB):

- $100

- Hip Hop TV Interview

- International Mixtape Spot (gets promoted overseas)

You MUST register for the comp first (email jay@urbanprophetz.com or phone 0405 766 783). NO ENTRIES WILL BE TAKEN ON THE NIGHT. As there is an open bar at the venue this will be an 18 event (including comp entries).

Guest Judges Include:

- JOSEPH GATEHAU (also guest performer)

- 3D WORLD MAGAZINE (Homebase)

- HIP HOP TV


So even if you don't win, you will be getting some mad exposure and potential promo opps just by performing on the night!

Also Performing:
URBAN PROPHETZ, NJE, SAVAGE POETZ & MORE!!!

Door $13 (performers free) 18 ID Required
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Ty, DJ Biznizz & The Bamboos Tour

May 11th 2007 01:10
Ty with DJ Biznizz (UK)
The Bamboos (album launch show)


With support from Thief & Raskool Featuring MC Kye

Frenzie, Noodles & Noel Boogie

Thursday 21st June - The Espy, Melbourne
Friday 22nd June – The Forum, Sydney


Niche Productions is proud to announce a one-off event at The Forum on 22nd June featuring UK hip hop's finest, Ty with DJ Biznizz and The Bamboos album launch show, with special guests Thief & Raskool Feat: MY Kye, Frenzie, Noel Boogie & Noodles.

Ty sydney tour
Ty (UK)
Ty is one of UK hip hop’s most innovative and original voices. As well as releasing three highly acclaimed albums of his own on the influential Big Dada label, he has lent his vocal talent to a host of recordings by his peers and been invited to share the mic with hip hop stalwarts such as De La Soul, Talib Kwali, and Platinum Pied Pipers. His second album was nominated for Britain’s prestigious Mercury Music Prize, and his third album ‘Closer’ (featuring De La Soul, Arrested Development’s Speech, and Bahamadia) recently brought him further into the mainstream.

This is Ty’s first ever visit to Australia and his live show is one not to be missed. With his trademark socially conscious lyrics backed up by infectious beats courtesy of DJ Bizznizz, it’s guaranteed to get the floor moving. Don’t miss out on this chance to see live hip hop at its freshest.

The Bamboos
Homegrown: The Bamboos
Co-headlining the night will be Australia’s own deep funk masters The Bamboos, celebrating the launch of their second album ‘Rawville’. The Bamboos are the country’s finest purveyors of super-heavy raw breaks, hook-laden funky workouts, and tight drum-break driven grooves. Their new album has been heralded a masterpiece by the media, described for example by iDJ magazine as “the best funk album of the modern era”. Currently playing to sold out crowds across the UK and Europe, The Bamboos return to Australian shores promising a show not to be missed.

As if this wasn’t enough. Support will come from Thief & Raskool feat MC Kye - the brainchild of gsan (Thief) and Shapeshifter (NZ) drummer Dreadford (Raskool). The performance is the live incarnation of their production work and is a set of original beats mixed with club jams. The boys drum live, sample, scratch and juggle to create a wall of sound using 2 x MPCs, 2 x turntables and guest vocalist MC Kye. Thief & Raskool is a dynamic blend of real hip hop, soul, roots and dubwise break beats.

Guest DJs for the night will be Frenzie, Noodles & Noel Boogie.

Tickets available from moshtix.com.au and all Moshtix outlets.
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Scribble Jam 12 Review

May 10th 2007 01:48
To followers of hip hop culture, Scribble Jam should not be a new name to your ears.
A yearly festival held with major competitions in Bboying (Breakdance), Turntablism, Emceeing and Grafitti pieces all over the walls, Scribble Jam has worldwide acclaim as one of the best hip hop events of the world, and we got hooked up with a DVD of the latest incarnation, Scribble Jam 12. I'll section this off in all the little "foundations of hip hop", if you will.

Breaking
The bboys showing up at scribble jam 12 were mean. Kept coming vicious and had plenty of team tactics. My only issue is that they cut music over what the guys were originally breaking to, but the music still suits the mood and matches up with the moves quite well. Watching a bunch of dudes telling gravity to F*** off because they feel like dancing is *always* fun.

Grafitti
Man. If people over here could graf like this, the government would think twice about making it illegal. I'm telling you, some high quality street artists got together and made some beautiful music...er... artwork. One look at this and you'll want to take up a spray can and make your own pieces... of course, I don't condone vandalism of public property...

Turntablism

The things these guys can do by mixing together different songs all live in front of the audience. It's nuts how quick these guys are on the wheels of steel. Can't really get into much detail without getting technical, so just take a look at the vinyl fly.

Emceeing

Now, this was a particular highlight of this comp for us here, probably the main reason i was hooked up with this anyway, was that in this years Scribble Jam, for the first time ever, was won by an Australian Emcee, who goes by the name of Justice, from Melbourne.
Watch and figure out how many Australian jokes there are. But he comes away with it and almost every battle will have punchlines to make you laugh or cheer, regardless of who's being made fun of.

If you've been following Scribble jam for a few years it might not be as surprising, but it's still solid material
and entertaining to watch. If This is your first exposure to a scribble Jam show then you'll definitely be entertained
go grab some of the other ones while you're at it.

Chux
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I got the heads up regarding a video of Big Daddy Kane recently.

Big Daddy Kane, for those of you young enough to think pokemon was cool shit about 7 years ago, is one of the most acclaimed artists ever to have graced hip hop.

I would’ve said “was” one of the most acclaimed artists, 'til I had the opportunity to see a video of the Smooth Operator himself drop a couple verses in front of a crowd. He’s not the slim dude he used to be, but he’s still rocking all that pimp stuff he used to.

Watch the video…



The guy is a genius, and still has both the swagger and lyrics to serve most emcees I've seen.

Chux is out
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snoop dogg australia mtv awards
Sorry Snoop, you're too bad for Oz
It's all over the news that The Doggfather himself, Snoop is denied entry into Australia where he was to host the MTV Australian Video Music Awards. The most interesting aspect to this news are the comments on American website SOHH.com:



"How can a country that was established as a prison colony have the audacity to ban anyone from entering because of a criminal record."

"Racial profiling by countries like Australia. Its disgusting. Not surprised.They are very anti-immigrant along with Britain they represent one of the worst xenophobic countries especially with people of color."

Funny because it's true. Oh what was that you say? It's election year?
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