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Hiphop - Hiphopn.com


Hip-Hop is such an American thing that it’s sometimes easy to forget that it happens elsewhere in the world. In a country where people have accents as annoying as Australia (let’s face it...) it may be tempting just to assume that it’s not likely that you’ll come across it and leave it at that.
There is though, one group who popularised Oz Hip Hop, that a number of people may have heard of; The Hilltop Hoods. An example of their work here:



Before the Hoods became popular though, there was another band busy blazing a path in Oz Hip Hop. This was the Herd. A group of nine members, including four MC, three beatspersons, and an assortment of instrumentation including piano accordion, clarinet, guitar and bass. Their songs used the full potential of Rap/Hip-Hop as a tool for social commentary, including songs such as Burn Down the Parliament. Behind the backdrop of the Conservative Howard Government, the Herd blazed an angry left wing lyrical flow of dissent.

Some quotes from their songs.

Sons and daughters wrapped in stars and stripes to keep 'em warm

77% of Australians are Racist; and if you were here, I’d say it to your faces.

Captain Cook was the first queue jumper

Len Hall Gallipoli veteran gently passed away thinking we learned not a thing; Played the Commonwealth cannon-fodder, his ominous words, that if he had to do it again, he'd fight for the Turks.

The Sun Never Sets is a favorite album of mine, from this band. Not only do they have the willingness to speak out politically, they’re not bound by the traditional constrains of their Genre. On the opening Track they speed up the beat slowly, following a Mandarin introduction, soon followed by rap verses in Chzeck and Spanish. Jane Tyrrell, female vocalist is featured regularly, and often with a sound closer to pop or folk that hip hop. Quite frankly, they’re not a textbook hip-hop band.


Here’s one of their songs;

herd
27cdb6e-ae6d-11cf-96b8-444553540000" codebase="http://fpdownload.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=7,0,0,0" allowNetworking="internal"> The HerdLong Lunch

Another of the members of the Herd, Urthboi has had some recent success with his own projects. Here is an example of his solo work.

27cdb6e-ae6d-11cf-96b8-444553540000" codebase="http://fpdownload.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=7,0,0,0" allowNetworking="internal"> UrthboyWe Get Around
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platform 1 hip hop carriageworks sydney


This looks sooooooo dope.

PLATFORM 1 HIP HOP FESTIVAL, Sydney Australia
Friday 28th and Saturday 29th of March 2008


Platform 1 Hip Hop Festival is set to explode with two days of high-powered Hip Hop action, representing Breaking, Graffiti, Beatboxing, MCing and DJing. A fresh experience for the hip hop novice and old skooler alike, the festival includes a series of free events, workshops and two huge nights of entertainment.

Flexing skills: Platform 1 presents premium Hip Hop action when some of Australia's best B*Boys, B*Girls, DJ's, Vocalists and MC's unite on one stage and are judged by you!

Competing in four randomly composed crews, the night will be a mashup of raw skill and freestyle as the finest in the culture represent their element.

Accompanied by the Metabass Allstars. Hosted by Morganics. Make sure you arrive early for the performance of Stiltbreak at 7.30pm.

Freak the Technique: B*Boy | B*Girl battle, some of Australia's best breaking crews will battle it out for the Platform 1 title. Featuring Interstate Judges – Arch Rival, King Ippy and Versastyle. Popping and Locking, Krumping, DJ Mathmatics and live Hip Hop acts. Hosted by Nick Power.

Breaking Info:
Friday and Saturday night 7.30 – 8pm – StiltBreak a wicked fusion of Breaking, Stilt Acrobatics and Artistry. Feat: B Girl Flix, Mr Flip, Manifest and Rely. Stalker Theatre Company.

Friday night:
8 – 10pm Flexing skills – Live invitational Jam featuring some of Sydneys Dopest MC’s, DJ’s Vocalists and Breakers – Unique B Girl, Arch, Ippy and Versastyle. Tix $15/$12

Saturday:
4 on 4 Breaking Eliminations 3 – 5pm.
Top 8 to go through to Freak the Technique that night. Run in conjunction with Graff comp and Demo.

Freak the Technique B Boy/B Girl Battle 8 – 11pm.
Feat – Def Wish Cast, Foreign Heights, Morganics and Eminent Family.
Hosted by Rely. Interstate Judges: Arch Rival, Versastyle and Ippy. DJ Mathmatics.
1st prize - $1000. Tix $15/$12

Dance Workshops in Breaking, Popping, Locking and Street Funk.

FREE events include:

* Performances of Stiltbreak, a fusion of Stilt Acrobatics and Breaking by STALKER Performance Projects

* Photographic exhibition of Australian Graffiti by Guillaume Chesneau

* Can Control - graffiti demo and competition. Hosted by Mistery

* Chalk it Up - Create your own chalk graffiti artwork

platform 1 whats on schedule hip hop festival
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Welcome to crate digging!

September 29th 2007 12:21
For a long time I've wanted to really explore music and its history; where a song comes from, what sample does it use, what are the old school greats that kids should listen to and pay their respects, and so on. Actually it's one of the reasons I started this Hip Hop blog, and it's taken me a year and a half to finally get something going on besides all the news and rumours that come and go, the tours and competitions and whatever else I post up here.

So let's bring it back to the music.

I'm talking old school and new school, Motown to Dirty South, gangsta rap to funky soul and much more. Let's start digging through those crates...
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Nas can't forget about you video
Nas
I've been digging this track for a while. From the rich lyrics dripping with hints of Hip Hop history to the catchy soulful chorus sung by Chrisette Michele that samples Nat King Cole's "Unforgettable" classic in this Will.I.Am produced track, Nas' "Can't Forget About You" is reminiscent of the good old days and has been promoted to one of my main ringtones.

Peep the vid:



Lyrics:

[Nas- Verse One]

There comes a day in your life
When you want to kick back
Straw hat on the porch
When you old perhaps
Want to gather your thoughts
Have a cold one, Brag
To your grand kids on how life is golden
So I’ma light a cigar in the corridor of the crib
Pictures on the wall of all the things that I did
All the money and fame, 8 by 10’s
Of the whole rap pack inside of a big frame
Colliding with big names that could’ve made you career stop
All that, and your man is still here, and I’m still hot
Wow, I need a moment ya’ll, See I almost felt a tear drop

When was the last time you heard real anthem?
Nas, the millionaire, the mansion
When was the last time you heard your boy Nas rhyme?
Never on schedule, but always on time.

[Chorus- Chrisette Michele]
These streets hold my deepest days
This hood taught me golden ways
Made me (truly this is what made me)
Break me (not a things gonna break me)
These streets hold my deepest days
This hood taught me golden ways
Made me (truly this is what made me)
Break me (not a things gonna break me)
Oh, I’m that history, I’m that block
I’m that lifestyle, I’m that that spot
I’m that kid by the number spot
That’s my past that made me hot
Here’s my lifelong anthem
Can’t forget about you (Can’t forget about you)

[Verse Two]

Can’t forget about the old school
Bam, Cas, Mel lie Mel flash,
Rocks steady spinning on they back
Can’t forget when the first rap Grammy when to Jazzy
Fresh Prince, Fat Boys broke up,
Rap hasnt been the same since
So irregular, how it mess you up when Mr. T became a wrestler
Can’t forget about Jordan’s retirement
The shot Robert Horry hit to win the game in the finals kid
Some things are forever, some things are not
It’s the things we remember that gave the world shock
They stay in a place in your mind so snug
Like who the person was with whom you first made love

When was the last time you heard real anthem?
Nas, the millionaire, the mansion
When was the last time you heard your boy Nas rhyme?
Never on schedule, but always on time.

[Chorus]

These streets hold my deepest days
This hood taught me golden ways
Made me (truly this is what made me)
Break me (not a things gonna break me)
These streets hold my deepest days
This hood taught me golden ways
Made me (truly this is what made me)
Break me (not a things gonna break me)
Oh, I’m that history, I’m that block
I’m that lifestyle, I’m that spot
I’m that kid by the number spot
That’s my past that made me hot
Here’s my lifelong anthem
Can’t forget about you (Can’t forget about you)

[Verse Three]

Unforgettable, UnSubmittable I go by N now, just one syllable
It’s the N cuz' the game tied is the same vibe
Good times had right after James died
That’s why the gangsta rhymers ain’t inspired
Heinous crimes help records sells more than creative lines
And I don’t want to keep bringing up the greater times
But I’m dreamer nostalgic with the state of mind
The past the past, enough of it aight then
Nothing gives me chills like Douglas and Tyson
Or Mike when his talk was live
Or when he first did the moon walk on Motown's 25

When was the last time you heard real anthem?
Nas, the millionaire, the mansion
When was the last time you heard your boy Nas rhyme?
Never on schedule, but always on time.

These streets hold my deepest days
This hood taught me golden ways
Made me (truly this is what made me)
Break me (not a things gonna break me)
These streets hold my deepest days
This hood taught me golden ways
Made me (truly this is what made me)
Break me (not a things gonna break me)

That's why darling it's incredible
That someone so unforgettable
Thinks that I'm unforgettable too
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krs one marley marl hip hop lives review

If you haven't copped this album or heard the track "Hip Hop Lives (I Come Back)" from these two great Hip Hop philosophers, then check it.

"Hip means to know
It's a form of intelligence
To be hip is to be up-date and relevant
Hop is a form of movement
You can't just observe a hop
You got to hop up and do it
Hip and Hop is more than music
Hip is the knowledge
Hop is the movement
Hip and Hop is intelligent movement"



I thought I'd add in Cibby's review of the album:

Hip Hop Lives is the album that fans have been eagerly awaiting for 20 years now… it marks the end of one of the earliest hip hop beefs around, between KRS-One and Marley Marl. Critics were sniffing out the potential of this album back in the day, but, now, in 2007, Marl and The Teacha have finally let old habits die and collaborated.

It’s a response, apparently, to Nas’ album, Hip Hop is Dead, and several tracks on the album suggest that KRS-One wants to push it back to the good spot. The G-Thang Spot, if you will.

But I felt that this album is a more paternalistic record from these two… KRS-One lays it down in ‘I Was There’, essentially pointing out to all the young rappers out there, fronting and perpetrating, that him and Marley Marl were getting it all started, back in the day.

And on that note, it feels a little too preachy at times… KRS never fails to shine on mic, with that deep, monstrous voice, and rhymes that feel so established that it’s like they’ve been extracted from some ancient Nubian texts. While he may have the credentials to lecture us to death, is that what you really want to listen to?

Eh, I can forgive a little bit of angry-father from The Teacha to get a head full of those Marley beats… reminds me of that old Juice Crew stuff, with a darker, more ominous tone. It’s all good, though, and, thankfully, the skits are kept down to an absolute minimum, and are easily skipped on the CD.

It took a long time for the feud to be settled, but KRS and Marl have finally put out this album… years too late, several pounds too far, and at a time when them young kids in the club are going ‘KRS-Who?’… nonetheless, it’s an album that deserves praise for its sheer craftsmanship, like watching a old, gnarled carpenter making a beautiful chair out of maple.

Rating: 3.5 out of 5 stars
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shantan wantan ichiban stolen records sunsets fbi 94.5
Vote or Die!


So I'm biased. It's not just because I work with ShantanWantanIchiban that I'm helping him in his campaign to dump toxic radio and vote for his Hip Hop radio show, Stolen Records on Sunsets at FBi 94.5FM (Sydney). It's because I dig the music he plays (well majority of it) but most of all, I like his local and international celebrity and lesser known guests coming into the studio and ripping live solo or battle freestyles, talking about random topics and what not. What really entertains me are the cheap shots, defensive comebacks and outrageous claims.

Shantan Wantan Ichiban Stolen Records on Sunsets Fbi 94.5FM
Shantan Wantan Ichiban: Dump Toxic Radio!!!
Campaigning against cardigans and wack music, SWI insists on dropping records from all kinds of Hip Hop-related or influenced genres, from many different countries. It's good to see a lot of local artists being given exposure on this volunteer-based not-for-profit radio station, who really minimise on the amount of ads they play; to show my support and enthusiasm for this, I signed up as a passionate supporter during their fundraising drive. I turned down the free tickets to 13th Son's show as I had plans for that night, and a free cd which I have access to at work but instead, requested that guest MC NickKnowledge, a friend of mine from good ol' UNSW spit in German about man-boobs. Sorry Nick, that was a tough one, and I would've struggled too.

So to keep this guy on air, keep the great music flowing with all his awesome guests, foghorns and BRAAAAppp BRAAAApppping, vote for Stolen Records at www.urbanmusicawards.com.au. Just look at that e-flyer! Now isn't that enough to sway your vote? To get to know Shantan, listen in on Wednesdays, 6-8pm EST or stream it from the FBi website.
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I only found out about this film last night after I watched Planet Bboy. It's so great to see two Hip Hop documentaries included in the Sydney Film Festival, especially one that's homegrown.

Words From the City wire MC sydney film festival

Word up! From multi award-winning Adelaide dwellers Hilltop Hoods, through story-teller Fijian/Australian MC Trey from Sydney's outer west, to the snappy politics of inner-Melbourne's TZU, this evocative documentary explores the energetic and vibrant culture of Australian hip-hop. Focusing on the verbal and lyrical virtuosity of the performers - including Wire MC, Downsyde, Layla, Koolism, Bliss'n'Eso and Maya Jupiter - the filmmakers match the vernacular they document with a smart visual style. Travelling across the country over a long hot summer, capturing the MCs at festivals, gigs, recordings, and just hanging out, the film is infused with a great sense of place, and a distinctly Australian combination of casualness and urgency. Not just for fans of Hip Hop (who will love it!), this film is for anyone with an interest in the vitality of language, politics and attitude.

Words From the City wire MC sydney film festival
Wire MC (right) at home in Redfern, Sydney, NSW


WORDS FROM THE CITY, a feature documentary about hip hop in Australia directed by Natasha Gadd and Rhys Graham, will be screening at the Sydney Film Festival this Friday, 22nd June 2007 followed by the official after party, WORD UP at the Metro Theatre, George Street, featuring local artists Bliss N Eso, Foreign Heights and Wire MC.

For tickets, go to Ticketmaster (or ph: 136 100) or online via the Sydney Film Festival site & search for WORDS FROM THE CITY and WORD UP.

Check out the official WORDS FROM THE CITY website for clips and more info.
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Eazy E: 12 years on

March 30th 2007 00:06
Eazy E NWA Rest In Peace
Eazy E: R.I.P
For the past few weeks I had a strange urge to listen to some ol' skool gangsta ish - Eazy E, Bone Thugs, Biggie and Pac were on rotation. Then I found out that last Monday 26 March 2007 marked the 12th year death anniversary of Eric 'Eazy E' Wright. The Godfather of Gangsta Rap and hip hop tycoon suffered from an AIDs related pneumonia and his life (and death for that matter) seemed to have been overshadowed by the tragedies of other greats, many not knowing of the talents and accomplishments of E.

This is what Eazy E had written to his fans, less than a week before he passed away:

"First i'd like ta say..Props to my nigga Pete Reynolds yo real hommie from the crib...I may not seem like a guy you would pick to preach a sermon. But I feel it is now time to testify because I do have folks who care about me hearing all kinds of stuff about what's up. Yeah, I was a brother on the streets of Compton doing a lot of things most people look down on -- but it did pay off. Then we started rapping about real stuff that shook up the LAPD and the FBI. But we got our message across big time, and everyone in America started paying attention to the boys in the 'hood. Soon our anger and hope got everyone riled up. There were great rewards for me personally, like fancy cars, gorgeous women and good living. Like real non-stop excitement. I'm not religious, but wrong or right, that's me. I'm not saying this because I'm looking for a soft cushion wherever I'm heading, I just feel that I've got thousands and thousands of young fans that have to learn about what's real when it comes to AIDS. Like the others before me, I would like to turn my own problem into something good that will reach out to all my homeboys and their kin. Because I want to save their asses before it's too late.

"I'm not looking to blame anyone except myself. I have learned in the last week that this thing is real, and it doesn't discriminate. It affects everyone. My girl Tomika and I have been together for four years and we recently got married. She's good, she's kind and a wonderful mother. We have a little boy who's a year old. Before Tomika I had other women. I have seven children by six different mothers. Maybe success was too good to me. I love all my kids and always took care of them. Now I'm in the biggest fight of my life, and it ain't easy. But I want to say much love to those who have been down with me. And thanks for your support. Just remember: It's YOUR real time and YOUR real life."

Rest in peace.
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If you're looking for Hip Hop dancers, breakers (breakdancers) or DJs for any event, from corporate gigs to bahmitsvas, smaller community events or birthday parties, etc then email trina@hiphop.org.au for all your performer needs (Australia only, for now).

Trina's Snapshot:

Represents and has many affiliates within the Hip Hop and dance community.

Danced with Caramell, Groovesteps (Looze Control 2006 winners).

Co-choreographer and dancer in all girl dance crew The XY Project.

Co-manages SKB (Street Kulture Breakers), the 2007 Australian Bboy (Breakdance) Champions.

Chairperson of Hip Hop Society D2MG (based in the University of New South Wales).

Manages City Studio (Level 8, 88 Liverpool St, Sydney) offering Hip Hop dance classes.

Owner and primary blogger on Hiphop.org.au (this site) and Dancing.net.au.

Loves supporting real artists, groups, events.

Lives and breathes Hip Hop.

Will make friends with your grandma.

sleazeball dancers
Dancing at Sleazeball with Katie Underwood then later with the drag queen and king - best gig ever!
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Blog Top Text

November 2nd 2005 21:16
Post Summaries:

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Bottom Menu Section

November 2nd 2005 09:45

Dancing.net.au
My dancing and personal blog, Confessions of a Serial Dancer.

D2MG Hip Hop Society
D2MG Hip Hop Society based in the University of New South Wales, Australia.

Darrio Street Dance in Sydney
Darriostreet Dance based in Sydney, Australia. Darrio is my dance mentor.

Dancekool
Dancekool, the only REAL Hip Hop and Funk dance school in Sydney. They are also my dance mentors.

Ozbboy
Ozbboy.com - the forums for bboys and bgirls in Australia.

B-boys.com

Harlem Hip Hop Tours

Rap Beefs

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