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Hiphop - Your Daily Stop - By Trina

 
Your daily stop for all things Hip hop... rants, raves, funny and useless stuff.

Hip-Hop is such an American thing that it’s sometimes easy to forget that it happens elsewhere in the world. In a country where people have accents as annoying as Australia (let’s face it...) it may be tempting just to assume that it’s not likely that you’ll come across it and leave it at that.
There is though, one group who popularised Oz Hip Hop, that a number of people may have heard of; The Hilltop Hoods. An example of their work here:


Before the Hoods became popular though, there was another band busy blazing a path in Oz Hip Hop. This was the Herd. A group of nine members, including four MC, three beatspersons, and an assortment of instrumentation including piano accordion, clarinet, guitar and bass. Their songs used the full potential of Rap/Hip-Hop as a tool for social commentary, including songs such as Burn Down the Parliament. Behind the backdrop of the Conservative Howard Government, the Herd blazed an angry left wing lyrical flow of dissent.

Some quotes from their songs.

Sons and daughters wrapped in stars and stripes to keep 'em warm

77% of Australians are Racist; and if you were here, I’d say it to your faces.

Captain Cook was the first queue jumper

Len Hall Gallipoli veteran gently passed away thinking we learned not a thing; Played the Commonwealth cannon-fodder, his ominous words, that if he had to do it again, he'd fight for the Turks.

The Sun Never Sets is a favorite album of mine, from this band. Not only do they have the willingness to speak out politically, they’re not bound by the traditional constrains of their Genre. On the opening Track they speed up the beat slowly, following a Mandarin introduction, soon followed by rap verses in Chzeck and Spanish. Jane Tyrrell, female vocalist is featured regularly, and often with a sound closer to pop or folk that hip hop. Quite frankly, they’re not a textbook hip-hop band.

Here’s one of their songs;

herd
27cdb6e-ae6d-11cf-96b8-444553540000" codebase="http://fpdownload.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=7,0,0,0" allowNetworking="internal"> The HerdLong Lunch

Another of the members of the Herd, Urthboi has had some recent success with his own projects. Here is an example of his solo work.

27cdb6e-ae6d-11cf-96b8-444553540000" codebase="http://fpdownload.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=7,0,0,0" allowNetworking="internal"> UrthboyWe Get Around
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platform 1 hip hop carriageworks sydney


This looks sooooooo dope.

PLATFORM 1 HIP HOP FESTIVAL, Sydney Australia
Friday 28th and Saturday 29th of March 2008


Platform 1 Hip Hop Festival is set to explode with two days of high-powered Hip Hop action, representing Breaking, Graffiti, Beatboxing, MCing and DJing. A fresh experience for the hip hop novice and old skooler alike, the festival includes a series of free events, workshops and two huge nights of entertainment.

Flexing skills: Platform 1 presents premium Hip Hop action when some of Australia's best B*Boys, B*Girls, DJ's, Vocalists and MC's unite on one stage and are judged by you!

Competing in four randomly composed crews, the night will be a mashup of raw skill and freestyle as the finest in the culture represent their element.

Accompanied by the Metabass Allstars. Hosted by Morganics. Make sure you arrive early for the performance of Stiltbreak at 7.30pm.

Freak the Technique: B*Boy | B*Girl battle, some of Australia's best breaking crews will battle it out for the Platform 1 title. Featuring Interstate Judges – Arch Rival, King Ippy and Versastyle. Popping and Locking, Krumping, DJ Mathmatics and live Hip Hop acts. Hosted by Nick Power.

Breaking Info:
Friday and Saturday night 7.30 – 8pm – StiltBreak a wicked fusion of Breaking, Stilt Acrobatics and Artistry. Feat: B Girl Flix, Mr Flip, Manifest and Rely. Stalker Theatre Company.

Friday night:
8 – 10pm Flexing skills – Live invitational Jam featuring some of Sydneys Dopest MC’s, DJ’s Vocalists and Breakers – Unique B Girl, Arch, Ippy and Versastyle. Tix $15/$12

Saturday:
4 on 4 Breaking Eliminations 3 – 5pm.
Top 8 to go through to Freak the Technique that night. Run in conjunction with Graff comp and Demo.

Freak the Technique B Boy/B Girl Battle 8 – 11pm.
Feat – Def Wish Cast, Foreign Heights, Morganics and Eminent Family.
Hosted by Rely. Interstate Judges: Arch Rival, Versastyle and Ippy. DJ Mathmatics.
1st prize - $1000. Tix $15/$12

Dance Workshops in Breaking, Popping, Locking and Street Funk.

FREE events include:

* Performances of Stiltbreak, a fusion of Stilt Acrobatics and Breaking by STALKER Performance Projects

* Photographic exhibition of Australian Graffiti by Guillaume Chesneau

* Can Control - graffiti demo and competition. Hosted by Mistery

* Chalk it Up - Create your own chalk graffiti artwork

platform 1 whats on schedule hip hop festival
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buzz monkey national breakdance hip hop competition canberra
Click to enlarge


Saturday 24th November 2007 at 3:00pm - AIS Arena Canberra

The Buzz Monkey National Hip Hop and Breakdance Championships has been put together to celebrate the new urban dance culture hitting Australia by storm. Dance is one of the fastest growning sports with in Australia and the world.

Come and celebrate one of the biggest urban dance competitions on the Australian dance calender with some of the best hip hop and break dancers around Australia competing for the title of Australia's best and a total prize pool of $25,000!

Also guest DJ's appearances by DJ Samurai, DJ Mathmatics and DJ Rush.

With guest appearances and performances by Joel Turner and the Boyz and BStarz (A popular local ACT Hip Hop Group). Also America's top brekadancers Ronnie, Roland and Frankie Flave as international judges and local hip hop judges and many more celebrity appearances and performances through out the night along with the competition itself.

Ticket are avaliable at Ticketek as of Monday 3rd of September. Be in quick before you miss out

VENUE: AIS Arena Canberra, Leverrier Crescent, Bruce ACT
TIME: 3PM

HIP HOP JUDGES DARRIO - DARRIO STREET
FRANCIS - KULTURE BREAK ACT
TRINA - SHADY CREW | Hiphop.org.au | Dancing.net.au | D2MG Hip Hop Society - Chairperson.

BBOY JUDGES:
FRANKIE FLAVE - KILLAFORNIA - LA
ROLAND - KILLAFORNIA - VEGAS / LA
RONIE - FULL FORCE - VEGAS

FULL CREW COMPETITION.
10 VS 10
$6000 PRIZE MONEY

1 ON 1 HIP HOP AND BBOY COMPETITION
1ST $5000 PRIZE MONEY
2ND $2500 PRIZE MONEY
3RD $1000 PRIZE MONEY
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cee-rock the fury
CEE-ROCK "THE FURY" Interview
by B.S.

Firstly, where are you from?

I'm originally born and raised in Queens, New York. I call it the Q*Sector (a name that I came up with many many years ago). If you've ever heard of the famous Linden Blvd., that is the area where I'm from. The Lost Boyz helped put Linden on the map.

So you're in Queens, New York at the moment, it’s an inspirational place to myself and hip-hop fans from around the world releasing artists like Run-DMC, A Tribe Called Quest and LL Cool J just to name a few. What’s it like being a musician in New York?

It's a good look because it is such a renowned place. Like you said, legends came from out of this borough. Can't forget about Pharoahe Monch and Prince Po (from Organized Konfusion), Kool G. Rap, Nas, Kwame, Mikey D (we go way back), Large Professor, Salt & Pepa, Roxanne Shante, MC Shan, Mobb Deep and of course 50 Cent.

What have you heard about the Australasian hip-hop scene from all the way over there in the USA?

I haven't heard much about the Australasian Hip-Hop scene to be honest but I travel all the time and one of the benefits of that is that I get a chance to listen to other cultures of music. Good music is good music (even if I do not speak or understand the language). I've been known to collaborate with people from different countries and languages so it makes me stand out quite a bit from everyone else.

With so many paths to take in life… why music, and why hip hop?

If you had a basketball in your hands when you were very young and you shoot and dribble long enough, you would probably love it forever. You become extremely good at it and eventually it may become your profession. I was exposed to Hip-Hop from the veryearly stages of it and I have an understanding and appreciation of it. I've mastered it and I love the energy you give and recieve from it. When I'm on stage and I'm puttin' in work and the crowd reacts in a positive way and throw their hands and fists as well as their luv back at me, it is a wonderful thing.

You’ve worked with a lot of artists in your career so far, what experience do you think you’ve taken the most away from and enjoyed the most?

You never stop learning about Hip-Hop (even though I say that I mastered it). You can always learn more and experience more. I learn from other cultures and it makes you more complete when you are exposed to such variety. I recently did featured on Veronique Lalouette's album in South Africa when I was on tour there last year. Her alias is 'V'. She was a finalist on IDOLS (that is the South African version of 'American Idol'). She sings and I dropped a verse on it. Things like that are cool for me because it builds up my resume and I get to network on a worldwide level. People ask me to collaborate all the time on their albums and I'm cool with that. However, I am signed and under management so the proper procedures have to take place in order for it to happen. When I finally come to the Australasian territory I hope to work with various outlets there. That goes for record companies, booking agencies, festivals, magaizines, television, radio, media outlets or whatever. Ladies, we can 'network' too!

Throughout your career you have labeled profanity as a cop-out for emcee’s with limited vocabulary and skills. How do people respond to this view?

I stick by my comment but let me elaborate on it a bit......I never said that I wouldn't work with someone who uses profanity. Even Chuck D uses profanity once in a blue moon but Chuck D is not recognized by that. He is recognized by his talent, voice delivery and lyrical content. A highly respected emcee may utilize a curse or two to emphasize a particular point. However, these days, emcees use it out of context and throw it onto a song 'just because'. If it has no validation or purpose to add to the song then why even bother to use it? Radio in the US won't even play it unless you have a radio edit (not talking about outlets such as Sirius Satellite Radio). It sounds really stupid to hear a song on a radio that is played 90% backwards because it is curse-filled throughout. I've heard love songs with emcees spittin' a 16 bar on it with curses on the majority of the verse and the stuff they say has absolutely nothin' to do with the song's concept. What does your verse even have to do with love?!

A lot of emcees have a very limited vocabulary and that is why all their songs and albums sound the same. They sound redundant and repetitive. It's like listening to an entire album with one very loooooong track. You can't even tell the difference! That is why I respect the emcees who put in work and take time to write as well as some high quality thought. For those who don't, you need to recognize and step your game up! This ain't the time to be spittin' and mastering the 'Barney' and 'Telletubby' wordplay delivery. People don't pay good money to go to your shows to hear the alphabet (at least I hope not). Let's upgrade, people!

Your new album “Bringin' Da' Yowzah!!!” is soon to be released in Australia, can we expect any collaborations on it?

I have a few special features on it. I got my dawg Late and 10Shott from West Midlands in the UK (they put in some serious work - big-up to 'Wolftown'). I also have Promoe from 'Looptroop' (he is a keen example of a lyricist who puts in deep thought - I've known him since 1997). Promoe had cursed on the original version of our song together but we had to edit it out [LOL]. I also have the legendary Mikey D (formerly of Main Source) on my album. In case the new generation doesn't know who he is, he's the emcee who took the belt from legendary Grandmaster Melle Mel (of Grandmaster Flash & The Furious Five) in the rap battle for world supremecy. He also gave LL Cool J his rap name (newjacks, do your research on it). Last but not least, I have BK's finest emcees, Tah Phrum Duh Bush and Coole High (these are my dawgz right here). I am also part of a rap squad called 3DA which stands for '3 Dyffrent Anglez' (Tah, Coole and myself). That is something you will hear more about in time. We represent our organization 'Flow Federation' (spread the word). Headz who love that true essence of Hip-Hop will truly appreciate the Bringin Da' Yowzah!!! album. It's a good look!

You talk about the pioneer’s who “keep it real, with the mass appeal”. Who were the pioneers that shaped your craft on the way up?

Wow, where do I start? I grew up listening to The Trecherous Three, Grandmaster Flash & The Furious Five, Cold Crush Brothers, Doug E. Fresh & Slick Rick, Dana Dane, Whodini, Boogie Down Productions (BDP), Run-DMC, Salt-N-Pepa, Finesse & Sequence, The Juice Crew, Kurtis Blow, Afrika Bambaataa & The Soul Sonic Force, Mantronix, Just-Ice, Digital Underground, Mr. Magic, Cipher Sounds, Busy Bee, Sugarhill Gang, Funky Four Plus One More, Oran Juice Jones, MC Lyte, Dr. Jeckyl & Mr. Hyde, Full Force, Whistle, T-La Rock and the Fat Boys.

It’s great to catch up with you Fury, before we wind this up… there are so many people in this world with talent and desire to make music, do you have any advice on what separates those from who dream and those who do?

Yeah. Try to stand out and make your own identity. There are so many artists out there who are nothin' but Xerox copies of other Xeroxes who copied from themselves from someone else. Respect the game of Hip-Hop and the game will respect you back. Also, do your best to be a respected artist and master your skilled trade (sometimes a good name is all you have). You may swing a bat in you hands but that doesn't put you in stripes and make you a 'Yankee'!

I wanna give a shoutout to everyone in the Australasian territory, The Very Good Agency and the rest of the planet. All is welcomed to show me some luv by signin' my guestbook at www.ceerockthefury.com as well as posting a comment on my official MySpace page at Really Long Link As long as my 'furyous' rhymes are on the menu - nonstop Hip-Hop will continue. Hip-Hop forever, y'all!

Cool. Thanks for stopping by.

**You can check out more of Cee-Rock "The Fury" at www.verygood.com.au.

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Niche Productions presents:

SOLID GROUND

Featuring:

Ohmega Watts & DJ Manwell (Lightheaded / 4 Days In Geneva USA)
Ladi 6 (NZ)
Mark Pritchard (Troubleman / Warp Records UK)
Thief (Melb)
Russ Dewbury (UK)
DJ Sepalot (Beat Dimensions / Compost GER)

solid ground

Niche Productions are proud to present some of the world’s finest underground artists for a one off showcase of hip-hop, latin, jazz, leftfield beats, funk, soul and beyond. With talent spread over two rooms in an exciting new space fresh to the Sydney faithful this is an essential for the soul music lover’s calendar.

Saturday 24th November - Oxford Art Factory.

Ohmega Watts (Lightheaded / 4 Days In Geneva) debut album The Find, wowed industry and fans with its eclectic blending of energetic old-school rap, rough and rugged beats, and funky instrumental contributions. Hailing from Brooklyn with Jamaican heritage, the MC/producer has cited heroes and influences including Eric B, Rakim, A Tribe Called Quest and Jurassic 5 - heavyweights who cast their shadow over Ohmega's club-thumping hip-hop and soulful jazzy tunes. His all-encompassing influences also take in the likes of Quantic and Stereolab to psychedelic Brazilian rhythms but by and large he produces an honest and multitudinous sound that has industry types describing him as "one of the freshest talents to have emerged out of hip-hop's leftfield in the last five years" (Dazed & Confused, UK).

On the eve of the release of his sophomore album, Watts Happening, which is hyped as continuing to evolve and challenge our expectations of hip hop, Ohmega Watts headlines the Niche Productions Soul Revue which is bound to be an energetic and head-nodding affair.

Ladi 6 is one of New Zealand's premier vocalists and MC's. Gene pool and nepotism aside (her cousin is Scribe), Ladi6 has layed down her heady and soulful vocal stylings for some of the finest Antipodean talents, including Shapeshifter, Fat Freddys Drop & Scribe. A special opportunity to check out her lusty and laid-back beats before her debut solo album, produced by Mu from Fat Freddys Drop, is released.

Mark Pritchard (Troubleman / Warp Records UK) is a DJ/producer who has worked on acclaimed remixes for the likes of A Tribe Called Quest, Lamb and Azymuth. He has a fine reputation for musical stylings that incorporate deep and ambient beats to electro-tinged hip-hop.

Thief aka DJ gsan is a turntablist/producer from Melbourne whose recent EP was an exercise in lavish strings, heavy hip-hop drums, analogue bass lines & down-tempo soul. Beside his production foray, Thief has a solid reputation as one of Australia's premier beats DJs.

Brighton-based Russ Dewbury of the Brighton Jazz Rooms is a notorious heavyweight of the international Soul/Jazz dance music scene & is set to roll out his unique brand of funk, rare groove & sweet soul.

Hip hop and beyond" is the best way to describe Sepalot’s nightly DJ escapades.
With tours throughout Europe from Bordeaux, Zurich to Moscow he also plays as a resident DJ in his hometown Munich. He´s known for taking the crowd on a journey from hip hop, rare grooves to breakbeats and electro music. Besides various remixes and projects like Soundtracks he is currently working on his solo album at compost records.

Supported by local DJs:

Regal
Somatik
Huwston

Saturday 24th November
9pm till very late
Oxford Art Factory, Darlinghurst - Sydney
Tickets available through moshtix outlets, moshtix.com.au & inthemix.com.au

OHMEGA WATTS & DJ MANWELL NATIONAL TOUR DATES
Friday 23rd November - Melbourne – The Espy
Saturday 24th November – Sydney – Oxford Art Factory
Thursday 29th November – Brisbane - Step Inn
Friday 30th November – Perth - The Rosemount
Saturday 1st December – Adelaide - Rockit Bar
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slum village j dilla tribute hip hop concert
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Slum Village have been synonymous with a unique light hearted, yet intelligent hip hop, making their way to our shores this month to educate, enlighten and entertain us with their solid style. On their first Australian tour members Elzhi and T3 will be hitting three Australian cities, showcasing some of their old hits as well as tracks from their recent success, Detroit Deli, plus special tribute to the legend R.I.P J-Dilla.

Many may remember the days of Slum when Jay Dee and T3 rapped about growing up in Detroit, the cars they drove and clothes they wore. This no nonsense approach to hip hop is what gave the group its break in the sometimes flashy world of hip hop. More recently Slum Village have brought a more serious tone to their rhymes, touching on family and faith and the importance of both in their lives.

Through collaborations with urban success stories like Kanye West, Ol’ Dirty Bastard, Dwele & Common, Slum Village has produced their most successful album yet and look forward to introducing this to the Australian audiences.

Sydney
Date: Thursday 18th October 2007
Venue: The Gaelic Club – 64 Devonshire Street, Surry Hills
Doors Open: 8pm
Supports: Foreign Heights, Mr Zux & BOP Crew, DK Kay Z
Tickets Available: www.moshtix.com

Melbourne
Date: Friday 19th October 2007
Venue: The Espy – 11 The Esplanade, St Kilda
Doors open: 9pm
Supports: Diafrix, DJ D-Red, DJ A-Style, Fresh Sox, Hosted by Fevapress
Tickets Available: The Espy, Obese Records, Missing Link, Polyester, www.inthemix.com.au

Adelaide
Date: Saturday 20th October 2007
Venue: Viva Function Room – 9A Light Sq
Doors open: 8pm
Supports: Delta & Staen 1, DJ Sanchez, DJ Nuck
Tickets Available: www.venuetix.com.au, B Sharp, Da Klinic
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bliss n eso bullet and a target featuring the connections zulu choir


All I gotta say is... RESPECT!

Bliss n Eso

Return with their latest single:
“Bullet and a Target”
featuring: The Connections Zulu Choir


Bliss n Eso are back with something truly special this time – a collaboration with the Connections Zulu choir, a 21 piece African Choir from the Valley of a thousand hills in South Africa. And the result? Nothing short of extraordinary!

Affected so much by their life changing trip to South Africa earlier in the year with MTV and the Oaktree Foundation, Bliss n Eso where inspired to record a song for charity, donating 100% of the profits to the funding of projects in developing regions of South Africa in the hope of creating awareness and a brighter future for those in need.

The Story:
Hailing from KwaNyuswa, in the Valley of a Thousand Hills, South Africa comes the Connections Zulu Choir – an inspirational group of teenagers and young adults whose songs tell the story of growing up in South Africa. They live in the epicentre of the worlds HIV/AIDS epidemic (over half their population is infected with HIV) and every day they face the challenges posed by high rates of crime, unemployment, substance abuse and extreme poverty. However, in spite of living in such adverse conditions and without any formal training, the choir's musical talent is undeniably incredible.
It had always been a dream of the choir to be able to travel overseas and share their music with the world. Thanks to The Oaktree Foundation, that dream became a reality. In June 2007, the Connections Zulu Choir journeyed to Australia for an amazing three-week music tour. During the tour the choir managed to get together with BNE at Jimmy Barnes' home studio in Sydney and, after a hectic four hour recording session, the foundations for Bullet And A target were laid.

The Cause:

100% of all profits from the sale of this track will go to The Oaktree Foundation, Australia's only youth-run international aid and development organisation. The money will then be channelled through to the Connections Zulu Choir and the funding of other projects in developing regions of South Africa in the hope of creating awareness and a brighter future for those in need.
For more info on the Schools 4 Schools program please check out www.schools4schools.org

" When I saw the video of the Connections Zulu Choir singing I realised that this was really something special… As a singer, and as a human, this was something I really wanted to be a part of."
– Jimmy Barnes

" Going over to South Africa really gave us a sense of reality - It's one thing to read about Africa, or to see the ads on TV but actually being there is something totally different. It's incredibly rewarding to know that I've been a part of something that has the potential to not only create awareness but also to really make a difference."
- MC Bliss

Bullet And A Target Hits Stores October 27

Request Bullet and a Target on radio here:

Nova Melbourne

Nova Sydney

Triple J

Bliss N Eso - Bullet And A Target - Feat: Connections Zulu Choir

Add to My Profile | More Videos
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Pharoahe Monch

September 20th 2007 02:40
Man, this cat is alright. I first heard about Pharoahe Monch when he released his most recent album, Desire... his first single, a manic reworking of Public Enemy's 'Welcome to the Terrordrome' brought me back into focus like a slap to my face.

While the original track was one of my favourite Public Enemy songs, Monch's cover was like the album had nitroglycerin fixed to the record, then shot into space to explode in a rapidly expanding cloud of stellar dust.

Perhaps what struck me most about the track was the vocal samples that precede the start of the song... a vocal speaker shouting out against the war in Iraq. Monch brings a social awareness to his music, desperately needed in a time where hip hop has been watered down by major record labels to sell to rich teenagers with new cars.

Here's a couple of tracks:






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Mixtape: Stan Bravo - Get Accustomed

September 1st 2007 12:11
stan bravo get accustomed mixtape


If you have not already seen him supporting artists like Busta Rhymes, Nelly, Ja Rule, Ashanti and Jin. Or if you have not yet caught him making cameos for Ricki Lee, J-Wess, Camielle or Nino Brown. Then it is time to get acquainted. Allow me to formally introduce you to dear friend ours and a smashing fellow, the right honourable Stan Bravo Esquire. He has put together a new mixtape/album to help us all get to know each other a bit better. It is called Get Accustomed and it is mixed by DJ Peter Gunz.

Download the Split Track version HERE

Or the continuous one track version HERE

You started writing from a young age. You won a few literacy awards as a kiddie. Can you tell us in particular what sort of things you wrote? What was the subject matter of your writing back then?

I used to write a lot of poems and short stories when I was younger. I remember one time I was about 12 and I was going to a real conservative catholic school and I wrote this poem called "why" and in the poem I was talking about issues like prostitution, Drug Dealing, and a lot other f**ked things that were going on in my community. The teacher loved it and wanted to give me an A but the principal told her not too because of the "content". But my teacher loved it so much she entered it in this writing competition and I won. So even as a shorty the content in my writing has always been based on reality as I see it.

Later on you switched to writing rap lyrics. Can you remember your first rhymes what were they like?
Wack! Real corny! I was just saying anything back then trying to make the words rhyme. I had no direction. I didn't know what a 16 was or how to write a hook, so all my songs were just long ass rhymes.

Growing up in Harlem what was the most mischief you got up to as a youngster?
No comment! My momma might be reading this. I love you mom. Seriously though back then I really didn't get into too much BS. Firstly my mother is Haitian and anybody that's ever had a Haitian mother or known somebody with a Haitian mother knows her child knows what's right and what's wrong. I’m not saying I was an angel but lets just say I feared my mother more than my friends.

Now for the last 7 years you have been living in Australia, repping Blacktown to the fullest. What influence has Blacktown and just Australia in general had on your music ?
I love Blacktown. Shout out too all my b-town residents. Blacktown's the hood. And Hip Hop music was born in the hood so what better place for a rapper to be than the hood? You feel what I'm saying too you? See when your a rapper what you are effectively is a mirror to your world. So when you hear my records you're hearing Blacktown. You're hearing Harlem. You're hearing Australia or America because I've always been greatly influenced by my surroundings.

Now your track "I Can't Let You Go" has been getting some airplay on the Edge. Is this track inspired by anybody in particular?
Yeah she knows who she is. I don't wanna put her on Front Street, but she inspires a lot of my girly songs.

You talk about an intimate evening in this track. What is the most romantic thing that you have done for a lady friend?

To be honest I'm not a real romantic sort a dude. I mean I do little things to my girl to let her know I appreciate her like cook dinner for her or randomly call her to say I love you or I thinking of you. Things like that.

So you have been on quite a few tours including the infamous Ja Rule tour and the Busta Rhymes tour. Can you confirm or deny all the rumours going around about these two artists on these tours?
What rumours you talking about? Am I in them?

stan bravo
Stan the Man
Do you have any interesting backstage stories of your own?
Aight one time backstage on the Nelly tour me and the guys I went on tour with got into a real heated argument and I ended kinda trashing our dressing room. Michael Coppell walked in and told me off. He was like Stan what are you bloody doing? This isn't an 80's rock concert.

So what can we expect from you next?
Well I have a street album/mixtape I put out for free, just for the fans and haters. It's called Get Accustomed vol 1 mixed by the legendary Dj Gunz. The tape to me is some of my best work to date and for anybody that has ever bought a Gunz mixtape you know the guy is serious. So if you're not yet accustomed to the hottest mixtape out right now. You need to get accustomed by downloading it here.
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Shadow Wars II - Bboy Event, Sydney

August 22nd 2007 02:42
Oh snap!

shadow wars 2 bboy event sydney
Click to enlarge


Aussie B-Boys and B-Girls, this is the moment you’ve all been waiting for…At long last a super hot break dancing championship is taking place in Australia, so gather your crew and get ready to rip it and represent!

Travelling to Sydney in September, The Shadow Wars B-Boy Battle is already gearing up to be one of the most impressive and mammoth showcases of Australian break dancing talent, with international B-Boy superstars Milky, Kid David and Ducky and one more special guest heading to our shores to judge the prestigious competition.

Best known for their performances in one of the world’s leading breakdancing events, The Red Bull BC One, in addition to judging The Shadow Wars B-Boy Battle, these breakdance masters will also be battling head-to-head with the local winners of the events and conducting workshops prior to the comps. This way, they can teach local crews a few new tricks and show us Aussies how it’s really done.

A rare and exclusive event, The Shadow Wars B-Boy Battle will treat both participants and spectators to a spectacular 12-hour show certain to get the blood pumping. Mixing it up with fierce break dancing battles, wicked footage from The Red Bull BC One, cool DJs, and a sneak peak of the third instalment of internationally renowned local hip hop DVD series, Seven Shadows, The Shadow Wars B-Boy Battle will be huge!

A result of years of passion and fierce dedication to the world of breakdancing and hip hop by creator Mason Rose, Seven Shadows gives Australian and New Zealand B-Boys and B-Girls a voice locally and world-wide. Working with the biggest names in the industry, this incredible series continues to portray breakdancing in the rawest way, giving the world the scoop on the awesome talent and amazing personalities that make up hip hop culture.

Featuring crew battles, one-on-one showdowns, performances from well-known DJs, demonstrations, exhibitions and a wicked thumping after-party, The Shadow Wars B-Boy Battle is THE event of the year. For B-Boy players there is also the chance to win numerous cool prizes, with top performers being offered a once-in-a-lifetime opportunity of battling head-to-head with the professional B-Boy judges after the finals.

The overall winner of The Shadow Wars B-Boy Battle also scores a major cash prize AND a ticket to South Africa in September to see the finals of The Red Bull BC One 2007. So you can be assured that all the Aussie B-Boy competitors will be busting out the big moves on the day so they can come out on top!

Tickets for The Shadow Wars B-Boy Battle are available through The Factory for a steal at only $15.00 BF and are sure to sell out fast! So whether you’re planning to hit the floor in an attempt to become B-Boy champion of Australia, or simply want to enjoy this one-off, mega hot show, make sure you don’t miss out on The Shadow Wars B-Boy Battle, this year’s most awesome Australian break dancing and hip hop event!
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jean grae chicken noodle soup

The South African MC jean-ius makes fun of modern popular rappers by going 50 IQ points lower in this freestyle spoof over a Chicken Noodle Soup beat. Remember that crazy song and dance that got everyone including Chris Brown hooked? It was later replaced by the Aunt Jackie craze.

Catch her on Talib Kweli's new album Eardrum, dropping this July/August.

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