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Hiphop - Hiphopn.com

MF Doom has been making some serious moves in the Hip Hop industry lately. The iron masked, metal fingered villain has kept his hands busyin a lot of things, from his Mm.. Food? Album release and re-release, becoming enough of a hip hop icon that Nike decided to create some official MF Doom High Top Dunks (These shoes are crazy!), and performing at the mighty Rock The Bells concert along with such acts as Common and The reunited Wu-Tang Clan.

The initial release of the Mm.. Food? album was followed by an album tour that also doubled as a food drive for the homeless, garnering enough attention and praise on the album to warrant a re-release. The re-release includes a DVD composed of performances and highlights from the Mm.. Food? Tour.


Mm. Food? carries the theme of edibles in the album's track names, such as the songs Beef Rapp, Hoe Cakes, Fillet-o-rapper & Kookies. Doom produces almost the entire album, and collaborates with artists such as Count Bass D, Angelika, 4ize & Mr. Fantastik. When listening to this album, expect heavy sampling of the Fantastic 4 Cartoon series sound clips, as MF Doom lives up to his name and samples many conversations from episodes concerning the good Dr. Doom.

MF doom's album is a perfect example of what doom represents, and that is experimental hip hop. Doom's voice and production is raw and gritty suiting the flavour of his production on this album. Also, without sacrificing any of the feeling of his shady, menacing, sample heavy beats, his rhymes create a feeling that Doom is a serious character to deal with, but you can be sure he won't take himself too seriously. I mean the guy does live shows in a Dr. Doom/Gladiator fashioned mask. If you haven't heard MF Doom before I'd say you should picture Jadakiss minus the thuggery, throw a bit of Ghostface's wacky sense of humour in there, and a style combining CL Smooth & Chali 2na's presence. However, Doom doesn't sound like any of those guys on their own, and he manages to create a new image for himself. I think the iron mask does wonders for your individuality.


Admittedly, the album didn't grab me at first, and It took multiple listens for it to grow on me. But like most accquired tastes, once you begin liking it you'll defend it viciously. Mm.. Food, for those of you that haven't heard the initial release, is one strange experiment of a hip hop album, but is an admittedly successful experiment. Get your hands on the re-release with the DVD of the promo tour, and watch Doom in his iron-masked persona performing onstage across the States.

4/5 - All hail doom!
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guru jazzmatazz volume 4 hip hop jazz messenger


Mmm I like this funky, jazzy and soulful Hip Hop.

Reviewed by Cibby:

Guru’s Jazzmatazz brings volume four out to the block, ready to drop the needle on the hip hop-jazz fusion genre. The full title of the album is actually Guru’s Jazzmatazz Volume 4: The Hip Hop Jazz Messenger: Back to the Future.

Whew! Long winded, isn’t it? Like his title, Guru’s fourth addition to the Jazzmatazz collection plays out over 16 tracks, featuring guests on nearly every song, leaving your stereo feeling tired and breathless.

I’m weak – I can’t help but like the hip hop jazz thing. It’s easy listening for music reviewers, and the Solar production is soft enough to fly under my easily-irritated radar. The first time through, the CD sounded great, and a glowing review oozed from my fingertips.

I’m listening through it for a fourth time, and it’s beginning to grate on my frazzled nerves a little, especially some of the reggae-flavoured hooks. And while I never get tired of piano tinkles on a loose beat, it sounds reminiscent of something I faintly remembered before. Can I recommend this album? I’m ten seconds away from melting it with my lighter, but, unfortunately, it’s all out of fluid.

Nah, it’s alright…while not as solid as the first or second Jazzmatazz, the fourth album in the series bring more of the same Guru sound, and you’ll definitely appreciate the subtle horn samples coming in overtop. Best played in a convertible on a warm spring morning.

Rating: 3 out of 5 stars
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krs one marley marl hip hop lives review

If you haven't copped this album or heard the track "Hip Hop Lives (I Come Back)" from these two great Hip Hop philosophers, then check it.

"Hip means to know
It's a form of intelligence
To be hip is to be up-date and relevant
Hop is a form of movement
You can't just observe a hop
You got to hop up and do it
Hip and Hop is more than music
Hip is the knowledge
Hop is the movement
Hip and Hop is intelligent movement"



I thought I'd add in Cibby's review of the album:

Hip Hop Lives is the album that fans have been eagerly awaiting for 20 years now… it marks the end of one of the earliest hip hop beefs around, between KRS-One and Marley Marl. Critics were sniffing out the potential of this album back in the day, but, now, in 2007, Marl and The Teacha have finally let old habits die and collaborated.

It’s a response, apparently, to Nas’ album, Hip Hop is Dead, and several tracks on the album suggest that KRS-One wants to push it back to the good spot. The G-Thang Spot, if you will.

But I felt that this album is a more paternalistic record from these two… KRS-One lays it down in ‘I Was There’, essentially pointing out to all the young rappers out there, fronting and perpetrating, that him and Marley Marl were getting it all started, back in the day.

And on that note, it feels a little too preachy at times… KRS never fails to shine on mic, with that deep, monstrous voice, and rhymes that feel so established that it’s like they’ve been extracted from some ancient Nubian texts. While he may have the credentials to lecture us to death, is that what you really want to listen to?

Eh, I can forgive a little bit of angry-father from The Teacha to get a head full of those Marley beats… reminds me of that old Juice Crew stuff, with a darker, more ominous tone. It’s all good, though, and, thankfully, the skits are kept down to an absolute minimum, and are easily skipped on the CD.

It took a long time for the feud to be settled, but KRS and Marl have finally put out this album… years too late, several pounds too far, and at a time when them young kids in the club are going ‘KRS-Who?’… nonetheless, it’s an album that deserves praise for its sheer craftsmanship, like watching a old, gnarled carpenter making a beautiful chair out of maple.

Rating: 3.5 out of 5 stars
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Scribble Jam 12 Review

May 10th 2007 01:48
To followers of hip hop culture, Scribble Jam should not be a new name to your ears.
A yearly festival held with major competitions in Bboying (Breakdance), Turntablism, Emceeing and Grafitti pieces all over the walls, Scribble Jam has worldwide acclaim as one of the best hip hop events of the world, and we got hooked up with a DVD of the latest incarnation, Scribble Jam 12. I'll section this off in all the little "foundations of hip hop", if you will.

Breaking
The bboys showing up at scribble jam 12 were mean. Kept coming vicious and had plenty of team tactics. My only issue is that they cut music over what the guys were originally breaking to, but the music still suits the mood and matches up with the moves quite well. Watching a bunch of dudes telling gravity to F*** off because they feel like dancing is *always* fun.

Grafitti
Man. If people over here could graf like this, the government would think twice about making it illegal. I'm telling you, some high quality street artists got together and made some beautiful music...er... artwork. One look at this and you'll want to take up a spray can and make your own pieces... of course, I don't condone vandalism of public property...

Turntablism

The things these guys can do by mixing together different songs all live in front of the audience. It's nuts how quick these guys are on the wheels of steel. Can't really get into much detail without getting technical, so just take a look at the vinyl fly.

Emceeing

Now, this was a particular highlight of this comp for us here, probably the main reason i was hooked up with this anyway, was that in this years Scribble Jam, for the first time ever, was won by an Australian Emcee, who goes by the name of Justice, from Melbourne.
Watch and figure out how many Australian jokes there are. But he comes away with it and almost every battle will have punchlines to make you laugh or cheer, regardless of who's being made fun of.

If you've been following Scribble jam for a few years it might not be as surprising, but it's still solid material
and entertaining to watch. If This is your first exposure to a scribble Jam show then you'll definitely be entertained
go grab some of the other ones while you're at it.

Chux
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If you're looking for Hip Hop dancers, breakers (breakdancers) or DJs for any event, from corporate gigs to bahmitsvas, smaller community events or birthday parties, etc then email trina@hiphop.org.au for all your performer needs (Australia only, for now).

Trina's Snapshot:

Represents and has many affiliates within the Hip Hop and dance community.

Danced with Caramell, Groovesteps (Looze Control 2006 winners).

Co-choreographer and dancer in all girl dance crew The XY Project.

Co-manages SKB (Street Kulture Breakers), the 2007 Australian Bboy (Breakdance) Champions.

Chairperson of Hip Hop Society D2MG (based in the University of New South Wales).

Manages City Studio (Level 8, 88 Liverpool St, Sydney) offering Hip Hop dance classes.

Owner and primary blogger on Hiphop.org.au (this site) and Dancing.net.au.

Loves supporting real artists, groups, events.

Lives and breathes Hip Hop.

Will make friends with your grandma.

sleazeball dancers
Dancing at Sleazeball with Katie Underwood then later with the drag queen and king - best gig ever!
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Blog Top Text

November 2nd 2005 21:16
Post Summaries:

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Bottom Menu Section

November 2nd 2005 09:45

Dancing.net.au
My dancing and personal blog, Confessions of a Serial Dancer.

D2MG Hip Hop Society
D2MG Hip Hop Society based in the University of New South Wales, Australia.

Darrio Street Dance in Sydney
Darriostreet Dance based in Sydney, Australia. Darrio is my dance mentor.

Dancekool
Dancekool, the only REAL Hip Hop and Funk dance school in Sydney. They are also my dance mentors.

Ozbboy
Ozbboy.com - the forums for bboys and bgirls in Australia.

B-boys.com

Harlem Hip Hop Tours

Rap Beefs

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